1636: The Viennese Waltz
Paula Goodlett · Gorg Huff · Eric Flint
nov. 2014 · Ring of Fire Bog 16 · Recorded Books · Oplæst af George Guidall
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20th Century American Spirit Meets Seductive and Dangerous Vienna of the 1600s!
The United States of Europe, the new nation formed by an alliance between the Swedish king Gustavus Adolphus and the West Virginians hurled back in time by a cosmic accident, is beset by enemies on all sides. But now, as a young new emperor comes to the throne in Austria, an opening has developed for making peace with at least one branch of the farflung and mighty Habsburg dynasty.
This is no job for diplomats or generals, however. The recently formed Austro-Hungarian empire is teetering on the brink of economic collapse. So, the USE sends auto mechanics and financiers to the rescue. But the mechanics are West Virginia hillbillies and the financiers are mostly teenage American girls, risen to wealth by taking advantage of the new opportunities created by the Ring of Fire.
Ready to greet them upon their arrival in Vienna is an emperor uncertain of his goals, common folk desperate for work, noblemen with intentions both fair and foul, priests plotting on all sides—and a prince unclear on the distinction between passion and lechery.
To put it mildly, a culture clash is in the making here. What better way to bridge the gap than to create a race track for the emperor’s new muscle car? And so the dance begins.
The United States of Europe, the new nation formed by an alliance between the Swedish king Gustavus Adolphus and the West Virginians hurled back in time by a cosmic accident, is beset by enemies on all sides. But now, as a young new emperor comes to the throne in Austria, an opening has developed for making peace with at least one branch of the farflung and mighty Habsburg dynasty.
This is no job for diplomats or generals, however. The recently formed Austro-Hungarian empire is teetering on the brink of economic collapse. So, the USE sends auto mechanics and financiers to the rescue. But the mechanics are West Virginia hillbillies and the financiers are mostly teenage American girls, risen to wealth by taking advantage of the new opportunities created by the Ring of Fire.
Ready to greet them upon their arrival in Vienna is an emperor uncertain of his goals, common folk desperate for work, noblemen with intentions both fair and foul, priests plotting on all sides—and a prince unclear on the distinction between passion and lechery.
To put it mildly, a culture clash is in the making here. What better way to bridge the gap than to create a race track for the emperor’s new muscle car? And so the dance begins.
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Om forfatteren
Eric Flint was born in southern California in 1947. He received a bachelor's degree from UCLA in 1968 and did some work toward a Ph.D. in history, with a specialization in history of southern Africa in the 18th and early 19th centuries, also at UCLA. After leaving the doctoral program over political issues, he supported himself from that time until age 50 as a laborer, machinist and labor organizer. In 1993, his short story entitled Entropy and the Strangler won first place in the Winter 1992 Writers of the Future contest. His first novel, Mother of Demons, was published in 1997 and was picked by the Science Fiction Chronicle as a best novel of the year. He became a full-time writer in 1999. He writes science fiction and fantasy works including The Philosophical Strangler and the Belisarius series.
George Guidall is one of the most prolific narrators of audiobooks in the world. He has recorded nearly 650 unabridged novels, everything from "Crime and Punishment" and "The Iliad" to "Snow Falling on Cedars." He began his career as an actor, appearing on Broadway and touring Europe with Helen Hayes in the "Glass Menagerie," " Miracle Worker" and "The Skin of Our Teeth." He received an Obie Award for Best Performance Off-Broadway, and has continued his performances in theater for over 40 years. Guidall has also appeared on television, with roles on the soap "One Life to Live" and "Law and Order," and in movies such as "Malcolm X" and "Tales from the Darkside." His first job reading audiobooks was for the Library of Congress' American Foundation for the Blinds' Talking Books. Since then he has won the most prestigious Audiobook Award, the Audie Award, for Best Unabridged Narration of a novel for his recording of John Irving's "A Widow for One Year." He won the Audie again in 2000 for Wally Lamb's "I Know This Much is True."
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