關於本有聲書
#1 New York Times bestselling author Kathy Reichs returns with an “edgy, eerie, irresistible” (Sandra Brown) novel with “plenty of twists” (The New York Times Book Review) featuring forensic anthropologist Temperance Brennan, who must use her skills to discover the identity of a faceless corpse, its connection to a decade-old missing child case, and why the dead man had her cell phone number.
It’s sweltering in Charlotte, North Carolina, and Temperance Brennan, still recovering from neurosurgery following an aneurysm, is battling nightmares, migraines, and what she thinks might be hallucinations when she receives a series of mysterious text messages, each containing a new picture of a corpse that is missing its face and hands. Immediately, she’s anxious to know who the dead man is, and why the images were sent to her.
An identified corpse soon turns up, only partly answering her questions.
To win answers to the others, including the man’s identity, she must go rogue, working mostly outside the system. That’s because Tempe’s new boss holds a fierce grudge against her and is determined to keep her out of the case. Tempe bulls forward anyway, even as she begins questioning her instincts. But the clues she discovers are disturbing and confusing. Was the faceless man a spy? A trafficker? A target for assassination by the government? And why was he carrying the name of a child missing for almost a decade?
With help from law enforcement associates including her Montreal beau Andrew Ryan and the quick-witted, ex-homicide investigator Skinny Slidell, and utilizing new cutting-edge forensic methods, Tempe draws closer to the astonishing truth. “A complete success” (Booklist, starred review), “this is Kathy Reichs as you’ve never read her before” (David Baldacci).
It’s sweltering in Charlotte, North Carolina, and Temperance Brennan, still recovering from neurosurgery following an aneurysm, is battling nightmares, migraines, and what she thinks might be hallucinations when she receives a series of mysterious text messages, each containing a new picture of a corpse that is missing its face and hands. Immediately, she’s anxious to know who the dead man is, and why the images were sent to her.
An identified corpse soon turns up, only partly answering her questions.
To win answers to the others, including the man’s identity, she must go rogue, working mostly outside the system. That’s because Tempe’s new boss holds a fierce grudge against her and is determined to keep her out of the case. Tempe bulls forward anyway, even as she begins questioning her instincts. But the clues she discovers are disturbing and confusing. Was the faceless man a spy? A trafficker? A target for assassination by the government? And why was he carrying the name of a child missing for almost a decade?
With help from law enforcement associates including her Montreal beau Andrew Ryan and the quick-witted, ex-homicide investigator Skinny Slidell, and utilizing new cutting-edge forensic methods, Tempe draws closer to the astonishing truth. “A complete success” (Booklist, starred review), “this is Kathy Reichs as you’ve never read her before” (David Baldacci).
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3.3
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關於作者
Kathy Reichs’s first novel Déjà Dead, published in 1997, won the Ellis Award for Best First Novel and was an international bestseller. Evil Bones is Reichs’s twenty-fourth novel featuring forensic anthropologist Temperance Brennan. Reichs was also a producer of Fox Television’s longest running scripted drama, Bones, which was based on her work and her novels. One of very few forensic anthropologists certified by the American Board of Forensic Anthropology, Reichs divides her time between Charlotte, North Carolina, and Charleston, South Carolina. Visit her at KathyReichs.com or follow her on X @KathyReichs, Instagram @KathyReichs, or Facebook @KathyReichsBooks.
Linda Emond has been nominated for three Tony Awards for her work in Cabaret, Death of a Salesman, and Life x 3. For her work off-Broadway, she is the recipient of a Lucille Lortel Award and an Obie. Television credits include Lodge 49, The Good Wife, Succession, and The Gilded Age. Film credits include Gemini Man, The Big Sick, Across the Universe, and Julie & Julia.
Linda Emond has been nominated for three Tony Awards for her work in Cabaret, Death of a Salesman, and Life x 3. For her work off-Broadway, she is the recipient of a Lucille Lortel Award and an Obie. Television credits include Lodge 49, The Good Wife, Succession, and The Gilded Age. Film credits include Gemini Man, The Big Sick, Across the Universe, and Julie & Julia.
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