Blaze of Our Lives

· Robyn Peterman · Người đọc: Jessica Almasy
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4 giờ 42 phút
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Giới thiệu về sách nói này

An unemployed actress turned Demon Goddess ends up with another Goddess treating her brain like a vacation rental. Sounds like a log line from a crappy B-Movie, right? Well, unfortunately, this horror flick is reality TV at its most dramatic.

Welcome to B*tch Goddess Cecily’s World.

Lights. Camera. Action!

The show must go on ... even if it takes a U-turn into Hell. I have too much to lose if Pandora wins. With the love of my demonic life by my side, along with the profane, toothpick-loving Keeper of Fate, and a cast of inappropriate characters, I’m going to embrace this starring role. I have to. If I can’t solve the problem of unboxing the box, my life as I know it will be over. No TV show, no close-up, and, definitely, no Emmy.

So, I’m onto my next gig. I have no clue how the episode will end. If I go down, I go down fighting. Forget the blaze of glory. This finale will be the blaze of my life.

Giới thiệu tác giả

New York Times and USA Today bestselling author, Robyn Peterman writes because the people inside her head won’t leave her alone until she gives them life on paper. She writes snarky, sexy, funny paranormal and snarky, sexy, funny contemporaries. A former professional actress, with Broadway, film, and TV credits, she now lives in the south with her family and too many animals to count. Writing gives her peace and makes her whole, plus having a job where she can work in her sweatpants works really well for her.

Jessica Almasy (she, her) In addition to a long standing and fabulous collaboration with the ebullient Robyn Peterman, Ms Almasy has been a partner in various and sundry experimental art projects, including - but not limited to - the following: a radical pop-up performance festival AmericanAF following the Charlottesville monument attacks; Out of An Abundance of Caution, a weekly live avant-garde DIY broadcast to keep artists paid and making during the Pandemic; the TEAM: an internationally and nationally touring devising theatre company making political art about America; hundreds of audiobooks about women authored mainly by women; and in Hollywood playing a societal anarchist in a role originally written for a 70 year old white man opposite Tim Robbins in the feature film NOISE. Most recently Ms Almasy has the honor of voicing filmmaker and disrupter Shirley Clarke in Pulitzer Prize winner and exceptional human Hilton Als’ audio translation of Portrait of Jason. She lives on Lenape land 90 miles south of New York City in a multigenerational household to experiment with interrupting the white societal imperatives of increased property accrual. Reparations Matter. Black Lives Matter.

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Bởi Robyn Peterman

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