Boys: Masculinities In Contemporary Culture
Paul Smith
Dis 2022 · Tantor Media Inc · Kuchazwe ngu-David Sadzin ne-Laural Merlington
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15 ihora 48 iminithi
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Analyzing the meanings of masculinity in contemporary culture, this book examines specific cultural male icons like Mohammad Ali, Harvey Keitel, Jean-Claude Van Damme, Dan Quayle, and Newt Gingrich and explodes the male stereotypes such as the cowboy, the father, the homosexual, and the Black terror. Written by cultural studies scholars from departments of film, media studies, English, women's studies, and sociology, the discussions touch on almost every conceivable issue concerning the complex meanings of masculinity and contemporary society. The contributors do not offer simple answers to the dilemmas they uncover; rather, they explore the ways different forms of masculinity cut through and invalidate generally accepted monoliths of masculinity. These writers argue that it is inappropriate to ask, "What is masculinity?" Instead, they focus on what masculinity isn't, demonstrating that there are only masculinities in the plural, defined by differences and contradictions. Boys reveals the depth and breadth of these complexities, offering listeners a far more satisfying definition of what it means to be male in our current culture.
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When he was seven, David Sadzin's first grade teacher gave him a paragraph to read out loud. She interrupted him halfway to proclaim him "The Ringmaster" in his class's musical extravaganza about the circus. He's been using his voice to get out of trouble ever since.
Laural Merlington has recorded well over one hundred audiobooks and has received several AudioFile Earphones Awards, including one for Never Say Die by Susan Jacoby.
Paul Smith has edited, with Alice Jardine, Men in Feminism, and with Lisa Frank, Madonnarama: On Sex and Popular Culture. His other books include Pound Revised, Discerning the Subject, Clint Eastwood: A Cultural Production, and a collection of translations from the work of Jean Louis Schefer, The Enigmatic Body.
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