Brotherhood of the Wolf

· Blackstone Audio Inc. · Letto da Ray Porter
Audiolibro
22 h 41 min
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Informazioni su questo audiolibro

David Farland delivers the second in his high fantasy Runelords series, featuring a complex system of magic and a wondrous, expertly realized world. Raj Ahten, ruler of Indhopal, has used enough forcibles to transform himself into the ultimate warrior: the Sum of All Men. Ahten seeks to bring all of humanity under his rule, destroying anyone in his path. But young Prince Gaborn has fulfilled a two-thousand-year-old prophecy and become the Earth King, a mythic figure who can unleash the forces of the Earth itself. He has managed to drive off Raj Ahten, but Ahten is far from defeated. Striking at far-flung cities and fortresses, Ahten seeks to draw out the Earth King from his seat of power and to crush him. But as they weaken each other’s forces in battle, the armies of an ancient and implacable inhuman enemy issue forth from the very bowels of the Earth.

Informazioni sull'autore

David Farland is the pseudonym of Dave Wolverton, an American author of fantasy fiction who lives in Utah with his wife and five children. He was a budding author during his college years but came to prominence when he won the Writers of the Future L. Ron Hubbard Gold Award for On My Way to Paradise in 1987. He has achieved much renown in the science fiction field, but fans may know him best as the author of Star Wars novels; The Courtship of Princess Leia was met with acclaim from critics and readers alike and became a New York Times bestselling novel.

Ray Porter is a prolific voice actor that has recorded for over 100 audio books and dozens of television series, video games and video shorts. Among his wide variety of audiobook credits are The Silver Linings Playbook, The Black Hole War, and the Joe Ledger series. He claims, “With every book I’ve done, I have found that the author has a voice and if I can just do my best to stay out of the way of that voice, then the writer will convey what he’s trying to put across. So for me, it’s really more about enabling the text and what the author is trying to say.”

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