A big-shouldered, big-trouble thriller set in mobbed-up 1920s Chicagoโa city where some people knew too much, and where everyone should have known betterโby the Oscar-nominated screenwriter of The Untouchables and Pulitzer Prizeโwinning playwright of Glengarry Glen Ross.
Mike Hodgeโveteran of the Great War, big shot of the Chicago Tribune, medium fryโprobably shouldnโt have fallen in love with Annie Walsh. Then, again, maybe the man who killed Annie Walsh have known better than to trifle with Mike Hodge.
In Chicago, David Mamet has created a bracing, kaleidoscopicย tale that roars through the Windy Cityโs underground on its way to a thunderclap of a conclusion. Here is not only his first novel in more than two decades, but the book he has been building to for his whole career. Mixing some of his most brilliant fictional creations with actual figures of the era, suffused with trademark ""Mamet Speak,"" richness of voice, pace, and brio, and exploringโas no other writer canโquestions of honor, deceit, revenge, and devotion, Chicago is that rarest of literary creations: a book that combines spectacular elegance of craft with a kinetic wallop as fierce as the February wind gusting off Lake Michigan.
David Mamet is one of the foremost American playwrights. He has won a Pulitzer prize and received Tony nominations for his plays, Glengarry Glen Ross and Speed-the-Plow. His screenwriting credits include The Verdict and The Untouchables.