Curse of the Spellmans: A Novel
Lisa Lutz
бер. 2008 р. · Simon and Schuster · Озвучення: Ari Graynor
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6 год 1 хв
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Про цю аудіокнигу
In this sidesplittingly funny follow-up to the New York Times bestselling The Spellman Files, San Francisco’s own highly functioning yet supremely dysfunctional family of private investigators are back on the case in another mystery full of suspicion, surveillance, humor, and surprise from award-winning author Lisa Lutz.
When Izzy Spellman, PI, is arrested for the fourth time in three months, she writes it off as a job hazard. She’s been (obsessively) keeping surveillance on a suspicious next door neighbor (suspect’s name: John Brown), convinced he’s up to no good—even if her parents (the management at Spellman Investigations) are not.
When the (displeased) management refuses to bail Izzy out, it is Morty, Izzy’s octogenarian lawyer, who comes to her rescue. But before he can build a defense, he has to know the facts. Over weak coffee and diner sandwiches, Izzy unveils the whole truth and nothing but the truth—as only she, a thirty-year-old licensed professional, can.
When not compiling Suspicious Behavior Reports on all her family members, staking out her neighbor, or trying to keep her sister, Rae, from stalking her “best friend,” Inspector Henry Stone, Izzy has been busy attempting to apprehend the copycat vandal whose attacks on Mrs. Chandler’s holiday lawn tableaux perfectly and eerily match a series of crimes from 1991–92, when Izzy and her best friend, Petra, happened to be at their most rebellious and delinquent. As Curse of the Spellmans unfolds, it’s clear that Morty may be on retainer, but Izzy is still very much on the case...er, cases—her own and that of every other Spellman family member.
Lisa Lutz brings her trademark wit and humor back in what Publishers Weekly calls a “sparkling sequel.” (Re)meet the Spellmans, a family in which eavesdropping is a mandatory skill, locks are meant to be picked, past missteps are never forgotten, and blackmail is the preferred form of negotiation—all in the name of unconditional love.
When Izzy Spellman, PI, is arrested for the fourth time in three months, she writes it off as a job hazard. She’s been (obsessively) keeping surveillance on a suspicious next door neighbor (suspect’s name: John Brown), convinced he’s up to no good—even if her parents (the management at Spellman Investigations) are not.
When the (displeased) management refuses to bail Izzy out, it is Morty, Izzy’s octogenarian lawyer, who comes to her rescue. But before he can build a defense, he has to know the facts. Over weak coffee and diner sandwiches, Izzy unveils the whole truth and nothing but the truth—as only she, a thirty-year-old licensed professional, can.
When not compiling Suspicious Behavior Reports on all her family members, staking out her neighbor, or trying to keep her sister, Rae, from stalking her “best friend,” Inspector Henry Stone, Izzy has been busy attempting to apprehend the copycat vandal whose attacks on Mrs. Chandler’s holiday lawn tableaux perfectly and eerily match a series of crimes from 1991–92, when Izzy and her best friend, Petra, happened to be at their most rebellious and delinquent. As Curse of the Spellmans unfolds, it’s clear that Morty may be on retainer, but Izzy is still very much on the case...er, cases—her own and that of every other Spellman family member.
Lisa Lutz brings her trademark wit and humor back in what Publishers Weekly calls a “sparkling sequel.” (Re)meet the Spellmans, a family in which eavesdropping is a mandatory skill, locks are meant to be picked, past missteps are never forgotten, and blackmail is the preferred form of negotiation—all in the name of unconditional love.
Про автора
Lisa Lutz is the New York Times bestselling, Alex Award–winning author of the Spellman Files series, as well as the novels The Accomplice, Heads You Lose (with David Hayward), How to Start a Fire, The Passenger, and The Swallows. She has also written for film and TV, including HBO’s The Deuce. She lives in upstate New York.
Ari Graynor starred in Showtime’s I’m Dying Up Here, as well as the films The Front Runner and The Disaster Artist. Other film credits include For a Good Time Call, Nick & Norah’s Infinite Playlist, and The Sitter, among others. Extensive theater work includes Brooklyn Boy, The Little Dog Laughed, and Yen, for which she received a Lucille Lortel nomination.
Ari Graynor starred in Showtime’s I’m Dying Up Here, as well as the films The Front Runner and The Disaster Artist. Other film credits include For a Good Time Call, Nick & Norah’s Infinite Playlist, and The Sitter, among others. Extensive theater work includes Brooklyn Boy, The Little Dog Laughed, and Yen, for which she received a Lucille Lortel nomination.
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