このオーディオブックについて
In this collection of five short stories, Jonathan Maberry fills in the blanks in his action-thriller Joe Ledger novels.
Countdown
In this prequel to Patient Zero, meet Joe Ledger, Baltimore PD, attached to a Homeland Security task force … who’s about to get a serious promotion.
Zero Tolerance
Zero Tolerance picks up a few weeks after the close of Patient Zero. Dropping back into the world of former Baltimore cop Joe Ledger, the Department of Military Sciences, and flesh-eating zombies, fans of the series will finally get closure on a few loose ends.
Deep, Dark
Before former Baltimore cop Joe Ledger goes up against competing geneticists looking to continue the master-race program in The Dragon Factory, he must battle another foe using human test subjects for his sinister plans.
Material Witness
This short thriller takes Joe Ledger into the mysterious, troubled town of Pine Deep, Pennsylvania, the setting for Maberry’s chilling Pine Deep Trilogy. In Pine Deep, nothing is what it seems.
Dog Days
Joe Ledger returns in this tale that follows the tragic conclusion of The Dragon Factory. In the wake of a devastating personal loss, Joe Ledger and his new canine partner, Ghost, go hunting for the world’s deadliest assassin.
評価とレビュー
著者について
Jonathan Maberry is a New York Times bestselling and five-time Bram Stoker Award–winning author, anthology editor, comic book writer, executive producer, and writing teacher. He is the creator of V Wars (Netflix) and Rot & Ruin (Alcon Entertainment). His books have been sold to more than two dozen countries. To learn more about Jonathan, visit him online at www.jonathanmaberry.
Ray Porter is a prolific voice actor that has recorded for over 100 audio books and dozens of television series, video games and video shorts. Among his wide variety of audiobook credits are The Silver Linings Playbook, The Black Hole War, and the Joe Ledger series. He claims, “With every book I’ve done, I have found that the author has a voice and if I can just do my best to stay out of the way of that voice, then the writer will convey what he’s trying to put across. So for me, it’s really more about enabling the text and what the author is trying to say.”
