Kumukanda

Kayo Chingonyi

2022年4月 · Vintage Digital · 朗讀者：Kayo Chingonyi

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Brought to you by Penguin.

*Winner of the Dylan Thomas Prize 2018*
*Winner of the Somerset Maugham Award 2018*

Translating as 'initiation', kumukanda is the name given to the rites a young boy from the Luvale tribe must pass through before he is considered a man. The poems of Kayo Chingonyi's remarkable debut explore this passage: between two worlds, ancestral and contemporary; between the living and the dead; between the gulf of who he is and how he is perceived.

Underpinned by a love of music, language and literature, here is a powerful exploration of race, identity and masculinity, celebrating what it means to be British and not British, all at once.

*Shortlisted for the Costa Poetry Prize; Seamus Heaney Centre First Poetry Collection Prize; Ted Hughes Award for New Work in Poetry; Roehampton Poetry Prize; Jhalak Prize 2018*

'A brilliant debut - a tender, nostalgic and, at times, darkly hilarious exploration of black boyhood, masculinity and grief. A gorgeous and necessary collection from one of my favourite writers' Warsan Shire

© Kayo Chingonyi 2017 (P) Penguin Audio 2022

關於作者

Kayo Chingonyi was born in Zambia in 1987, and moved to the UK at the age of six. He is the author of two pamphlets, and a fellow of the Complete Works programme for diversity and quality in British Poetry. In 2012, he was awarded a Geoffrey Dearmer Prize, and was Associate Poet at the Institute of Contemporary Arts (ICA) in 2015. His first full-length collection, Kumukanda, won the Dylan Thomas Prize and a Somerset Maugham Award and was shortlisted for the Costa Poetry Prize. It was also shortlisted for the Seamus Heaney Centre First Poetry Collection Prize, the Ted Hughes Award for New Work in Poetry, the Roehampton Poetry Prize and the Jhalak Prize. Kayo was a Burgess Fellow at the Centre for New Writing, University of Manchester, and an Associate Poet at The Institute of Contemporary Arts, London. He has performed his work at festivals and events around the world, is Poetry Editor for The White Review, and an Assistant Professor of Creative Writing at Durham University.