The Devil's Own Dice: An Ex Secret Agent Paranormal Investigator Thriller

Trapped in time, in a dungeon with no way out!

His crippled wife is kidnapped by the witch Georgiana, now allied with the assassin sect Concilium Putus Visum, and transported back to medieval France in this paranormal time travel thriller.

He is only one man against the vicious and murderous forces of Hell, unleashed once again in the form of the Biblical shapeshifter Serpents.

Suddenly trapped in an escape-proof dungeon, he must somehow escape and train to be a knight so he can enlist the help of a corrupt count. Along the way, he must overcome his sense of revulsion about his own psychic, shapeshifter powers.

Herleva, mother of William the Conqueror, most powerful woman in all of Europe and also a powerful sorceress, offers him help.

He must also enlist the friendship of an ex Templar knight and survive the military conflict at Bouvines, which shaped Europe. But if he does, what will he find in the mysterious Maze Tower?

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If you love the Da Vinci Code, you will adore this richly plotted, writhing romance. And make sure you don't miss the shattering climax to series, The Synchronicity Code.

Categories: Fiction, thriller, paranormal, historical, medieval, romance, psychic, military, fun, racy, vampire, werewolf.

From the author:

My own family's roots, uncovered gradually over ten years of concerted research, had led me to one Guillaume, a Chevalier (Knight) in 13th Century Languedoc, France. He was my earliest ancestor. Simultaneously, I had been pursuing a theological interest in the Cathars; first through reading a number of books by Henry Lincoln and later through an interest in Monségur and the Rennes-le-Château, near where the lost treasure of the Cathars is said to be hidden. The Cathars were an ancient sect who came to prominence and were ruthlessly persecuted by the Catholics in the 1300s, mainly in and around the Languedoc Region of France. Their beliefs were gradually imported from the Mediterranean via the Balkans and possibly originated in Paulian beliefs in post-Roman Istanbul (ancient Constantinople). They believed that the Christian god was really Rex Mundi, or 'God of Earth' and that he was an illusion created by dark forces, while the real God remains hidden somewhere outside Earth. I quite possibly sympathise with the Cathars, because my later ancestors probably escaped the Catholic persecution of Huguenots when they came to England in the 1500s.

These two areas of interest came together for me when I discovered that one of my ancestors was cast out by the Catholic Church and had been prosecuted for some unknown violation. This resulted in him having to pay the church an annual tithe of a man's weight in wheat. What his misdemeanour was, I cannot say but he was certainly very wealthy and his daughter married well, so it must have been a personal crime against the Church. Was he a heretic or Cathar, even though officially they had all been killed in Monségur 200 years before? This question started me on my journey.

A year before I started this work, I read both The Da Vinci Code and Angels & Demons by Dan Brown. These books were certainly an influence on me. Like him, I have been fascinated for many years by the rumour or myth that Mary went to France and that Jesus had a descendant. Like Brown and many others, I speculate that the Cathars did, in fact, smuggle a great treasure out of Monségur castle, under the noses of the Royalist besiegers. I also speculate on what that treasure might be and how it might affect our lives if it were discovered in the modern age.

I wanted deeper characterisation. I wanted to write something more than a mere fantasy. Some of my characters are world-weary, but all have the tell-tale footprints of life all over them.

Lastly, I wanted the gothic. The themes of blood, death, eroticism, sex and transcendence are all things that I desire in a good novel. My influences were Kate Bush, The Mission, Lord Byron, John Keats (The Eve of St. Agnes is a particularly favourite poem of mine) and, to some extent, Tolkien's Lord of the Rings. Sex and death are the themes that everyone seems attracted to. As a consequence, I couldn't resist a climax to my novel that took place in one of the world's greatest Gothic masterpieces. But you will have to read the novel to find out where ...

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