Little Eyes
Samanta Schweblin
āŠāŠāŠļāŦāŠ 2020 · W.F.Howes Ltd. · Bea Holland āŠĶāŦāŠĩāŠūāŠ°āŠū āŠĩāŠ°āŦāŠĢāŠĻ āŠāŠ°āŦāŠē
headphones
āŠāŠĄāŠŋāŠŊāŦāŠŽāŦāŠ
7 āŠāŠēāŠūāŠ 6 āŠŪāŠŋāŠĻāŠŋāŠ
āŠĩāŠŋāŠļāŦāŠĪāŦāŠĪ
family_home
āŠŠāŠūāŠĪāŦāŠ°
info
reportāŠ°āŦāŠāŠŋāŠāŠ āŠ
āŠĻāŦ āŠ°āŠŋāŠĩāŦāŠŊāŦ āŠāŠāŠūāŠļāŦāŠēāŠū āŠĻāŠĨāŦ āŠĩāŠ§āŦ āŠāŠūāŠĢāŦ
42 āŠŪāŠŋāŠĻāŠŋāŠāŠĻāŦ āŠĻāŠŪāŦāŠĻāŦ āŠāŦāŠāŠ āŠāŦ? āŠāŠŦāŠēāŠūāŠāŠĻ āŠđāŦ, āŠĪāŦāŠŊāŠūāŠ°āŦ āŠŠāŠĢ āŠāŠŪāŦ āŠĪāŦāŠŊāŠūāŠ°āŦ āŠļāŠūāŠāŠāŠģāŦ.Â
āŠāŠŪāŦāŠ°āŦ
āŠ āŠāŠĄāŠŋāŠŊāŦāŠŽāŦāŠ āŠĩāŠŋāŠķāŦ
A visionary novel about our interconnected world, about the collision of horror and humanity, from the Man Booker-shortlisted master of the spine-tingling tale.
They've infiltrated homes in Hong Kong, shops in Vancouver, the streets of Sierra Leone, town squares of Oaxaca, schools in Tel Aviv, bedrooms in Indiana. They're not pets, nor ghosts, nor robots. They're real people, but how can a person living in Berlin walk freely through the living room of someone in Sydney? How can someone in Bangkok have breakfast with your children in Buenos Aires, without you knowing? Especially when these people are completely anonymous, unknown, untraceable. The characters in Samanta Schweblin's wildly imaginative new novel, Little Eyes, reveal the beauty of connection between far-flung souls but they also expose the ugly truth of our increasingly linked world. Trusting strangers can lead to unexpected love, playful encounters and marvellous adventures, but what if it can also pave the way for unimaginable terror? Schweblin has created a dark and complex world that is both familiar but also strangely unsettling, because it's our present and we're living it we just don't know it yet.
âEmbedded within this novel of international interconnectivity are questions of the exhibitionism and voyeurism tied up in our use of technology. Expect echoes of the Wachowskis' Sense8, except told with what has been characterized as Schweblin's "neurotic unease." THE MILLIONS
âSamanta Schweblin will injure you, however safe you may feel.â JESSE BALL
âSamanta Schweblin is one of the most promising voices in modern literature.â MARIO VARGAS LLOSA
They've infiltrated homes in Hong Kong, shops in Vancouver, the streets of Sierra Leone, town squares of Oaxaca, schools in Tel Aviv, bedrooms in Indiana. They're not pets, nor ghosts, nor robots. They're real people, but how can a person living in Berlin walk freely through the living room of someone in Sydney? How can someone in Bangkok have breakfast with your children in Buenos Aires, without you knowing? Especially when these people are completely anonymous, unknown, untraceable. The characters in Samanta Schweblin's wildly imaginative new novel, Little Eyes, reveal the beauty of connection between far-flung souls but they also expose the ugly truth of our increasingly linked world. Trusting strangers can lead to unexpected love, playful encounters and marvellous adventures, but what if it can also pave the way for unimaginable terror? Schweblin has created a dark and complex world that is both familiar but also strangely unsettling, because it's our present and we're living it we just don't know it yet.
âEmbedded within this novel of international interconnectivity are questions of the exhibitionism and voyeurism tied up in our use of technology. Expect echoes of the Wachowskis' Sense8, except told with what has been characterized as Schweblin's "neurotic unease." THE MILLIONS
âSamanta Schweblin will injure you, however safe you may feel.â JESSE BALL
âSamanta Schweblin is one of the most promising voices in modern literature.â MARIO VARGAS LLOSA
āŠ āŠāŠĄāŠŋāŠŊāŦāŠŽāŦāŠāŠĻāŦ āŠ°āŦāŠāŠŋāŠāŠ āŠāŠŠāŦ
āŠĪāŠŪāŦ āŠķāŦāŠ āŠĩāŠŋāŠāŠūāŠ°āŦ āŠāŦ āŠ
āŠŪāŠĻāŦ āŠāŠĢāŠūāŠĩāŦ.
āŠļāŠūāŠāŠāŠģāŠĩāŠū āŠĩāŠŋāŠķāŦāŠĻāŦ āŠŪāŠūāŠđāŠŋāŠĪāŦ
āŠļāŦāŠŪāŠūāŠ°āŦāŠāŠŦāŦāŠĻ āŠ
āŠĻāŦ āŠāŦ
āŠŽāŦāŠēāŦāŠ
Android āŠ
āŠĻāŦ iPad/iPhone āŠŪāŠūāŠāŦ Google Play Books āŠāŠŠ āŠāŠĻāŦāŠļāŦāŠāŦāŠē āŠāŠ°āŦ. āŠĪāŦ āŠĪāŠŪāŠūāŠ°āŠū āŠāŠāŠūāŠāŠĻāŦāŠ āŠļāŠūāŠĨāŦ āŠāŠāŦāŠŪāŦ
āŠāŠŋāŠ āŠ°āŦāŠĪāŦ āŠļāŠŋāŠāŠ āŠĨāŠūāŠŊ āŠāŦ āŠ
āŠĻāŦ āŠĪāŠŪāŠĻāŦ āŠāŦāŠŊāŠūāŠ āŠŠāŠĢ āŠđāŦ āŠĪāŦāŠŊāŠūāŠ āŠĪāŠŪāŠĻāŦ āŠāŠĻāŠēāŠūāŠāŠĻ āŠ
āŠĨāŠĩāŠū āŠāŠŦāŠēāŠūāŠāŠĻ āŠĩāŠūāŠāŠāŠĩāŠūāŠĻāŦ āŠŪāŠāŠāŦāŠ°āŦ āŠāŠŠāŦ āŠāŦ.
āŠēāŦ
āŠŠāŠāŦāŠŠ āŠ
āŠĻāŦ āŠāŠŪāŦāŠŠāŦāŠŊāŦāŠāŠ°
āŠĪāŠŪāŦ āŠĪāŠŪāŠūāŠ° āŠāŠŪāŦāŠŠāŦāŠŊāŦāŠāŠ°āŠĻāŠū āŠĩāŦāŠŽ āŠŽāŦāŠ°āŠūāŠāŠāŠ°āŠĻāŦ āŠāŠŠāŠŊāŦāŠ āŠāŠ°āŦāŠĻāŦ Google Play āŠŠāŠ° āŠāŠ°āŦāŠĶāŦāŠēāŦ āŠŠāŦāŠļāŦāŠĪāŠāŦāŠĻāŦ āŠĩāŠūāŠāŠāŦ āŠķāŠāŦ āŠāŦ.
