Lud-In-The-Mist
Hope Mirrlees
2019-04 · Gateway · Skaito Eleanor Bron ir Neil Gaiman
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9 val. 56 min.
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Apie šią garsinę knygą
Lud-in-the-Mist - a prosperous country town situated where two rivers meet: the Dawl and the Dapple. The latter, which has its source in the land of Faerie, is a great trial to Lud, which had long rejected anything 'other', preferring to believe only in what is known, what is solid.
Nathaniel Chanticleer is a somewhat dreamy, slightly melancholy man, not one for making waves, who is deliberately ignoring a vital part of his own past; a secret he refuses even to acknowledge. But with the disappearance of his own daughter, and a long-overdue desire to protect his young son, he realises that something is changing in Lud - and something must be done.
Lud-in-the-Mist is a true classic, an adult fairy tale exploring the need to embrace what we fear and to come to terms with 'the shadows' - those sweet and dark impulses that our public selves ignore or repress.
Featuring a foreword read by Neil Gaiman'
(p) Orion Publishing Group 2018
Nathaniel Chanticleer is a somewhat dreamy, slightly melancholy man, not one for making waves, who is deliberately ignoring a vital part of his own past; a secret he refuses even to acknowledge. But with the disappearance of his own daughter, and a long-overdue desire to protect his young son, he realises that something is changing in Lud - and something must be done.
Lud-in-the-Mist is a true classic, an adult fairy tale exploring the need to embrace what we fear and to come to terms with 'the shadows' - those sweet and dark impulses that our public selves ignore or repress.
Featuring a foreword read by Neil Gaiman'
(p) Orion Publishing Group 2018
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Apie autorių
Helen Hope Mirrlees (1887-1978) was a British author of novels and poems, whose three novels are Lud-in-the-Mist, Madeleine, and Counterplot, and a book of poetry, Moods and Tensions: Poems. She was one of the Bloomsbury Group and counted among her good friends T. S. Eliot, William Butler Yeats and Virginia Woolf.
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