Can't Slow Down: How 1984 Became Pop's Blockbuster Year

· Hachette Audio · Narrated by Michaelangelo Matos and Corey Carthew
3.0
1 review
Audiobook
16 hr 46 min
Unabridged
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About this audiobook

The definitive account of pop music in the mid-eighties, from Prince and Madonna to the underground hip-hop, indie rock, and club scenes
Everybody knows the hits of 1984 - pop music's greatest year. From "Thriller" to "Purple Rain," "Hello" to "Against All Odds," "What's Love Got to Do with It" to "Wake Me Up Before You Go-Go," these iconic songs continue to dominate advertising, karaoke nights, and the soundtracks for film classics (Boogie Nights) and TV hits (Stranger Things). But the story of that thrilling, turbulent time, an era when Top 40 radio was both the leading edge of popular culture and a moral battleground, has never been told with the full detail it deserves - until now. Can't Slow Down is the definitive portrait of the exploding world of mid-eighties pop and the time it defined, from Cold War anxiety to the home-computer revolution. Big acts like Michael Jackson (Thriller), Prince (Purple Rain), Madonna (Like a Virgin), Bruce Springsteen (Born in the U.S.A.), and George Michael (Wham!'s Make It Big) rubbed shoulders with the stars of the fermenting scenes of hip-hop, indie rock, and club music.
Rigorously researched, mapping the entire terrain of American pop, with crucial side trips to the UK and Jamaica, from the biz to the stars to the upstarts and beyond, Can't Slow Down is a vivid journey to the very moment when pop was remaking itself, and the culture at large - one hit at a time.

Ratings and reviews

3.0
1 review
Melanie Thomson
March 21, 2021
Being also "from the 80s," Can't Slow Down was a walk down memory lane for me in many ways. It was interesting looking back and reading about details and context that we, in that time of having limited access to media (teen magazines, Much Music and the like for me in Canada), didn't have at the time. I felt, given the book was about 1984, that more coverage could have been given to the big 80s artists, rather than those late 70s and early 80s bands. However I can also see the rationale in documenting the events and artists who culminated in 1984. The book was organized by chapters on venues, rather than chronologically, so it jumped around more than I would have liked. Overall, though, it was an interesting read.
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About the author

MICHAELANGELO MATOS is the author of The Underground Is Massive: How Electronic Dance Music Conquered America (Dey Street, 2015) and Sign 'O' the Times (Bloomsbury, 2004). He contributes regularly to Mix-mag and the New Yorker and lives in St. Paul, Minnesota.

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