Moth to a Flame

· Narrowdale Mystery āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļĨāđˆāļĄāļ—āļĩāđˆ 2 · Tantor Media Inc · āļšāļĢāļĢāļĒāļēāļĒāđ‚āļ”āļĒ Rachel Leblang
āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡
7 āļŠāļĄ. 41 āļ™āļēāļ—āļĩ
āļ‰āļšāļąāļšāļŠāļĄāļšāļđāļĢāļ“āđŒ
āļĄāļĩāļŠāļīāļ—āļ˜āļīāđŒ
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āđ€āļžāļīāđˆāļĄ

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I was almost killed by a delusional murderer five months ago. Since then, the recurring nightmares, creepy hallucinations, and overpowering fear are gone. That's good, right? I mean, no one in their right minds wants to feel like that. I am starting to wonder if I'm in my right mind anymore . . . When a lady in my neighborhood died, I couldn't help but stick my nose in, to see what happened. I should just get on with things-I've got some new friends, and a cool boy named Chris has taken an interest in me. Everyone is telling me to just leave this weird murder alone. But I can't stop myself. The more I find out about her death, the more twisted everything is. I think there's a predator in Narrowdale. And now it's hunting me . . . What have I gotten myself into?

āđ€āļāļĩāđˆāļĒāļ§āļāļąāļšāļœāļđāđ‰āđāļ•āđˆāļ‡

Michael Omer is a writer, journalist, and game designer. He wrote and published his first novel when he was sixteen, and figured he'd keep at it, why not? He is happily married to a woman who keeps pushing him to write more, and has three kids who insist he should stop writing and come play with them.

While earning a bachelor's degree in Japanese language studies, Rachel Leblang was asked to lend her voice to a classmate's video game and a passion for voice acting was born. She made the natural leap into audiobooks, and has produced 114 books to date.

āđƒāļŦāđ‰āļ„āļ°āđāļ™āļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡āļ™āļĩāđ‰

āđāļŠāļ”āļ‡āļ„āļ§āļēāļĄāđ€āļŦāđ‡āļ™āļ‚āļ­āļ‡āļ„āļļāļ“āđƒāļŦāđ‰āđ€āļĢāļēāļĢāļąāļšāļĢāļđāđ‰

āļ‚āđ‰āļ­āļĄāļđāļĨāļāļēāļĢāļŸāļąāļ‡

āļŠāļĄāļēāļĢāđŒāļ—āđ‚āļŸāļ™āđāļĨāļ°āđāļ—āđ‡āļšāđ€āļĨāđ‡āļ•
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āļ„āļļāļ“āļŠāļēāļĄāļēāļĢāļ–āļ­āđˆāļēāļ™āļŦāļ™āļąāļ‡āļŠāļ·āļ­āļ—āļĩāđˆāļ‹āļ·āđ‰āļ­āļˆāļēāļ Google Play āđ‚āļ”āļĒāđƒāļŠāđ‰āđ€āļ§āđ‡āļšāđ€āļšāļĢāļēāļ§āđŒāđ€āļ‹āļ­āļĢāđŒāļšāļ™āļ„āļ­āļĄāļžāļīāļ§āđ€āļ•āļ­āļĢāđŒāļ‚āļ­āļ‡āļ„āļļāļ“

āļ­āđˆāļēāļ™āļ‹āļĩāļĢāļĩāļŠāđŒāļ™āļĩāđ‰āļ•āđˆāļ­

āļĢāļēāļĒāļāļēāļĢāļ­āļ·āđˆāļ™āđ† āļ—āļĩāđˆāđ€āļ‚āļĩāļĒāļ™āđ‚āļ”āļĒ Michael Omer

āļŦāļ™āļąāļ‡āļŠāļ·āļ­āđ€āļŠāļĩāļĒāļ‡āļ—āļĩāđˆāļ„āļĨāđ‰āļēāļĒāļāļąāļ™