Mrs. Everything: A Novel
Jennifer Weiner
jun 2019 · Simon and Schuster · Narrado por Ari Graynor y Beth Malone
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16 h 45 min
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In this instant New York Times bestseller and “multigenerational narrative that’s nothing short of brilliant” (People), two sisters’ lives from the 1950s to the present are explored as they struggle to find their places—and be true to themselves—in a rapidly evolving world from #1 New York Times bestselling author Jennifer Weiner.
Jo and Bethie Kaufman were born into a world full of promise.
Growing up in 1950s Detroit, they live in a perfect “Dick and Jane” house, where their roles in the family are clearly defined. Jo is the tomboy, the bookish rebel with a passion to make the world more fair; Bethie is the pretty, feminine good girl, a would-be star who enjoys the power her beauty confers and dreams of a traditional life.
But the truth ends up looking different from what the girls imagined. Jo and Bethie survive traumas and tragedies. As their lives unfold against the background of free love and Vietnam, Woodstock and women’s lib, Bethie becomes an adventure-loving wild child who dives headlong into the counterculture and is up for anything (except settling down). Meanwhile, Jo becomes a proper young mother in Connecticut, a witness to the changing world instead of a participant. Neither woman inhabits the world she dreams of, nor has a life that feels authentic or brings her joy. Is it too late for the women to finally stake a claim on happily ever after?
In “her most sprawling and intensely personal novel to date” (Entertainment Weekly), Jennifer Weiner tells a “simply unputdownable” (Good Housekeeping) story of two sisters who, with their different dreams and different paths, offer answers to the question: How should a woman be in the world?
Jo and Bethie Kaufman were born into a world full of promise.
Growing up in 1950s Detroit, they live in a perfect “Dick and Jane” house, where their roles in the family are clearly defined. Jo is the tomboy, the bookish rebel with a passion to make the world more fair; Bethie is the pretty, feminine good girl, a would-be star who enjoys the power her beauty confers and dreams of a traditional life.
But the truth ends up looking different from what the girls imagined. Jo and Bethie survive traumas and tragedies. As their lives unfold against the background of free love and Vietnam, Woodstock and women’s lib, Bethie becomes an adventure-loving wild child who dives headlong into the counterculture and is up for anything (except settling down). Meanwhile, Jo becomes a proper young mother in Connecticut, a witness to the changing world instead of a participant. Neither woman inhabits the world she dreams of, nor has a life that feels authentic or brings her joy. Is it too late for the women to finally stake a claim on happily ever after?
In “her most sprawling and intensely personal novel to date” (Entertainment Weekly), Jennifer Weiner tells a “simply unputdownable” (Good Housekeeping) story of two sisters who, with their different dreams and different paths, offer answers to the question: How should a woman be in the world?
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Jennifer Weiner is the #1 New York Times bestselling author of twenty-one books, including The Summer Place, That Summer, Big Summer, Mrs. Everything, In Her Shoes, Good in Bed, and a memoir in essays, Hungry Heart. She has appeared on many national television programs, including Today and Good Morning America, and her work has been published in The Wall Street Journal and The New York Times, among other newspapers and magazines. Jennifer lives with her family in Philadelphia. Visit her online at JenniferWeiner.com.
Ari Graynor starred in Showtime’s I’m Dying Up Here, as well as the films The Front Runner and The Disaster Artist. Other film credits include For a Good Time Call, Nick & Norah’s Infinite Playlist, and The Sitter, among others. Extensive theater work includes Brooklyn Boy, The Little Dog Laughed, and Yen, for which she received a Lucille Lortel nomination.
Ari Graynor starred in Showtime’s I’m Dying Up Here, as well as the films The Front Runner and The Disaster Artist. Other film credits include For a Good Time Call, Nick & Norah’s Infinite Playlist, and The Sitter, among others. Extensive theater work includes Brooklyn Boy, The Little Dog Laughed, and Yen, for which she received a Lucille Lortel nomination.
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