Never Haunt a Historian
O ovoj audio knjizi
A hidden secret—and a ghost to keep it that way.
Leigh Koslow doesn't care who claims to see the specter of a Civil War soldier skulking around her neighbor's farm; she does not believe in ghosts. Never mind that the farm in question was settled by a veteran of the Battle of Gettysburg, and never mind that its occupants have complained of floating lights, shadowy figures, and poltergeist-style vandalism for a solid half century. When her amiable neighbor Archie Pratt, beloved captain of a local unit of reenactors, vanishes from the farmhouse without a trace, Leigh is certain there is a rational explanation. She is also certain there is a rational explanation for the bizarre refilled holes that keep appearing all over her neighborhood, and that neither has anything whatsoever to do with the farm's chilling history of curses, insanity, and murder.
She can only hope. Because when her children discover an aged map of the neighborhood that seems to point to hidden treasure, the local Civil War buffs think otherwise. Did Union Private Theodore Carr leave Cemetery Hill in 1863 with a little ... souvenir? Only one thing is for sure: someone thinks he did. And as intrigue escalates to violence within feet of her own backyard, Leigh determines to figure out who—before any more hastily dug holes turn into unmarked graves.
O autoru
Edie Claire is the author of the Leigh Koslow Mysteries as well as romantic suspense novels and humorous plays. She has worked as a veterinarian, a childbirth educator, and a technical writer. When she is not writing novels, she may be found doing volunteer work, raising her three children, or cleaning up after an undisclosed number of pets.
Gabrielle de Cuir is a Grammy-nominated and Audie Award-winning producer whose narration credits include the voice of Valentine in Orson Scott Card’s Ender novels, Ursula K. Le Guin’s The Tombs of Atuan, and Natalie Angier’s Woman, for which she was awarded AudioFile magazine’s Golden Earphones Award. She lives in Los Angeles where she also directs theatre and presently has several projects in various stages of development for film.
