One-Shot Harry
Gary Phillips
āĻāĻĒā§āĻ°āĻŋ ā§¨ā§Ļā§¨ā§¨ ¡ RB Media ¡ Leon Nixon-āĻāĻ° āĻāĻŖā§āĻ ā§
headphones
āĻ
āĻĄāĻŋāĻāĻŦā§āĻ
8 āĻāĻŖā§āĻāĻž 6 āĻŽāĻŋāĻ¨āĻŋāĻ
āĻ¸āĻāĻā§āĻˇāĻŋāĻĒā§āĻ¤ āĻ¨ā§
family_home
āĻāĻĒāĻ¯ā§āĻā§āĻ¤
info
reportāĻ°ā§āĻāĻŋāĻ āĻ āĻ°āĻŋāĻāĻŋāĻ āĻ¯āĻžāĻāĻžāĻ āĻāĻ°āĻž āĻšā§āĻ¨āĻŋ Â āĻāĻ°āĻ āĻāĻžāĻ¨ā§āĻ¨
48 āĻŽāĻŋāĻ¨āĻŋāĻ āĻ¸āĻŽā§ā§āĻ° āĻ¨āĻŽā§āĻ¨āĻž āĻĒā§āĻ¤ā§ āĻāĻžāĻ¨? āĻ¯ā§āĻā§āĻ¨āĻ āĻ¸āĻŽā§ āĻļā§āĻ¨ā§āĻ¨, āĻāĻŽāĻ¨āĻāĻŋ āĻ
āĻĢāĻ˛āĻžāĻāĻ¨ā§ āĻĨāĻžāĻāĻ˛ā§āĻāĨ¤Â
āĻā§ā§ā§āĻ¨
āĻāĻ āĻ āĻĄāĻŋāĻāĻŦā§āĻā§āĻ° āĻŦāĻŋāĻˇā§ā§
Race and civil rights in 1963 Los Angeles provide a powerful backdrop in Gary Phillipsâs riveting historical crime novel about an African American forensic photographer seeking justice for his jazz musician friend.
Los Angeles, 1963: African American Korean War veteran Harry Ingram earns a living as a news photographer and occasional process server: chasing police radio calls and dodging baseball bats. With racial tensions running high on the eve of
Martin Luther Kingâs Freedom Rally, Ingram risks ending up one of the victims at every crime scene he photographs.
When Ingram hears a call over the police scanner to the scene of a deadly automobile accident, he recognizes the vehicle described as belonging to his good friend and old army buddy, the white jazz trumpeter Ben Kinslow, with whom
heâd only just reconnected. The LAPD declares the car crash an accident, but when Ingram develops his photos there are signs of foul play. Ingram feels compelled to play detective, even if it means putting his own life on the line.
Armed with his wits, his camera, and occasionally his Colt .45, Harry Ingram plunges headfirst into the seamier underbelly of LA society, tangling with racists, leftists, blackmailers, gangsters, zealots and lovers, all in the hope of finding something resembling justice for a friend.
Los Angeles, 1963: African American Korean War veteran Harry Ingram earns a living as a news photographer and occasional process server: chasing police radio calls and dodging baseball bats. With racial tensions running high on the eve of
Martin Luther Kingâs Freedom Rally, Ingram risks ending up one of the victims at every crime scene he photographs.
When Ingram hears a call over the police scanner to the scene of a deadly automobile accident, he recognizes the vehicle described as belonging to his good friend and old army buddy, the white jazz trumpeter Ben Kinslow, with whom
heâd only just reconnected. The LAPD declares the car crash an accident, but when Ingram develops his photos there are signs of foul play. Ingram feels compelled to play detective, even if it means putting his own life on the line.
Armed with his wits, his camera, and occasionally his Colt .45, Harry Ingram plunges headfirst into the seamier underbelly of LA society, tangling with racists, leftists, blackmailers, gangsters, zealots and lovers, all in the hope of finding something resembling justice for a friend.
āĻāĻ āĻ āĻĄāĻŋāĻāĻŦā§āĻā§āĻ° āĻ°ā§āĻāĻŋāĻ āĻĻāĻŋāĻ¨
āĻāĻĒāĻ¨āĻžāĻ° āĻŽāĻ¤āĻžāĻŽāĻ¤ āĻāĻžāĻ¨āĻžāĻ¨āĨ¤
āĻā§āĻāĻžāĻŦā§ āĻļā§āĻ¨āĻŦā§āĻ¨
āĻ¸ā§āĻŽāĻžāĻ°ā§āĻāĻĢā§āĻ¨ āĻāĻŦāĻ āĻā§āĻ¯āĻžāĻŦāĻ˛ā§āĻ
Android āĻāĻŦāĻ iPad/iPhone āĻāĻ° āĻāĻ¨ā§āĻ¯ Google Play āĻŦāĻ āĻ
ā§āĻ¯āĻžāĻĒ āĻāĻ¨āĻ¸ā§āĻāĻ˛ āĻāĻ°ā§āĻ¨āĨ¤ āĻāĻāĻŋ āĻāĻĒāĻ¨āĻžāĻ° āĻ
ā§āĻ¯āĻžāĻāĻžāĻāĻ¨ā§āĻā§āĻ° āĻ¸āĻžāĻĨā§ āĻ
āĻā§āĻŽā§āĻāĻŋāĻ āĻ¸āĻŋāĻā§āĻ āĻšā§ āĻ āĻāĻĒāĻ¨āĻŋ āĻ
āĻ¨āĻ˛āĻžāĻāĻ¨ āĻŦāĻž āĻ
āĻĢāĻ˛āĻžāĻāĻ¨ āĻ¯āĻžāĻ āĻĨāĻžāĻā§āĻ¨ āĻ¨āĻž āĻā§āĻ¨ āĻāĻĒāĻ¨āĻžāĻā§ āĻĒā§āĻ¤ā§ āĻĻā§ā§āĨ¤
āĻ˛ā§āĻ¯āĻžāĻĒāĻāĻĒ āĻ āĻāĻŽā§āĻĒāĻŋāĻāĻāĻžāĻ°
āĻāĻĒāĻ¨āĻŋ āĻāĻĒāĻ¨āĻžāĻ° āĻāĻŽā§āĻĒāĻŋāĻāĻāĻžāĻ°ā§āĻ° āĻā§ā§āĻŦ āĻŦā§āĻ°āĻžāĻāĻāĻžāĻ°ā§āĻ° āĻŦā§āĻ¯āĻŦāĻšāĻžāĻ° āĻāĻ°ā§ Google Play āĻ¤ā§ āĻā§āĻ¨āĻž āĻŦāĻāĻā§āĻ˛āĻŋ āĻĒā§āĻ¤ā§ āĻĒāĻžāĻ°ā§āĻ¨āĨ¤
