Queenie: Now a Channel 4 series

Β· Trapeze Β· αž”αžšαž·αž™αžΆαž™αžŠαŸ„αž™ Shvorne Marks
5.0
αž€αžΆαžšαžœαžΆαž™αžαž˜αŸ’αž›αŸƒ 2
αžŸαŸ€αžœαž—αŸ…β€‹αž‡αžΆβ€‹αžŸαŸ†αž‘αŸαž„
9 វិ 45 αž“
αž˜αž·αž“β€‹αžŸαž„αŸ’αžαŸαž”
αž˜αžΆαž“αžŸαž·αž‘αŸ’αž’αž·
αž€αžΆαžšαžœαžΆαž™αžαž˜αŸ’αž›αŸƒ αž“αž·αž„αž˜αžαž·αžœαžΆαž™αžαž˜αŸ’αž›αŸƒαž˜αž·αž“αžαŸ’αžšαžΌαžœαž”αžΆαž“αž•αŸ’αž‘αŸ€αž„αž•αŸ’αž‘αžΆαžαŸ‹αž‘αŸ αžŸαŸ’αžœαŸ‚αž„αž™αž›αŸ‹αž”αž“αŸ’αžαŸ‚αž˜
αž…αž„αŸ‹αž”αžΆαž“αž‚αŸ†αžšαžΌ 58 αž“αžΆαž‘αžΈ αž˜αŸ‚αž“αž‘αŸ? αžŸαŸ’αžŠαžΆαž”αŸ‹αž”αžΆαž“β€‹αž‚αŸ’αžšαž”αŸ‹αž–αŸαž› αž‘αŸ„αŸ‡αž”αžΈαž‡αžΆαž‚αŸ’αž˜αžΆαž“αž’αŸŠαžΈαž“αž’αžΊαžŽαž·αžαž€αŸαžŠαŸ„αž™αŸ”Β 
αž”αž“αŸ’αžαŸ‚αž˜

αž’αŸ†αž–αžΈαžŸαŸ€αžœαž—αŸ…β€‹αž‡αžΆαžŸαŸ†αž‘αŸαž„αž“αŸαŸ‡

THE SUNDAY TIMES BESTSELLER

BOOK OF THE YEAR AT THE BRITISH BOOK AWARDS

SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD

LONGLISTED FOR THE WOMEN'S PRIZE FOR FICTION

'Brilliant, timely, funny, heartbreaking' Jojo Moyes

'A must-read novel about sex, selfhood, and the best friendships that get us through it all' Candace Bushnell, author of Sex and the City

Queenie is a twenty-five-year-old Black woman living in south London, straddling Jamaican and British culture whilst slotting neatly into neither. She works at a national newspaper where she's constantly forced to compare herself to her white, middle-class peers, and beg to write about Black Lives Matter. After a messy break up from her long-term white boyfriend, Queenie finds herself seeking comfort in all the wrong places.

As Queenie veers from one regrettable decision to another, she finds herself wondering, What are you doing? Why are you doing it? Who do you want to be? - the questions that every woman today must face in a world that keeps trying to provide the answers for them.

A darkly comic and bitingly subversive take on life, love, race and family, Queenie will have you nodding in recognition, crying in solidarity and rooting for this unforgettable character every step of the way. A disarmingly honest, boldly political and truly inclusive tale that will speak to anyone who has gone looking for love and acceptance and found something very different in its place.

αž€αžΆαžšαžŠαžΆαž€αŸ‹αž•αŸ’αž€αžΆαž™ αž“αž·αž„αž˜αžαž·αžœαžΆαž™αžαž˜αŸ’αž›αŸƒ

5.0
αž€αžΆαžšαžœαžΆαž™αžαž˜αŸ’αž›αŸƒ 2

αž’αŸ†αž–αžΈβ€‹αž’αŸ’αž“αž€αž“αž·αž–αž“αŸ’αž’

Candice Carty-Williams was born in 1989, the result of an affair between a Jamaican cab driver and a dyslexic Jamaican-Indian receptionist. She is a journalist, screenwriter, and author of the Sunday Times bestselling Queenie, a book described as 'vital', 'disarmingly honest' and 'boldly political'. In 2016, Candice created and launched the Guardian and 4th Estate BAME (black, Asian and minority ethnic) Short Story Prize, the first inclusive initiative of its kind in book publishing. As a journalist she has written for the Guardian, i-D, Vogue International, every iteration of the Sunday Times, BEAT Magazine, Black Ballad and more. She will probably always live in South London. She can be found on Twitter and Instagram at @CandiceC_W.

αžœαžΆαž™αžαž˜αŸ’αž›αŸƒβ€‹αžŸαŸ€αžœαž—αŸ…αž‡αžΆαžŸαŸ†αž‘αŸαž„αž“αŸαŸ‡

αž”αŸ’αžšαžΆαž”αŸ‹αž™αžΎαž„αž’αŸ†αž–αžΈαž€αžΆαžšαž™αž›αŸ‹αžƒαžΎαž‰αžšαž”αžŸαŸ‹αž’αŸ’αž“αž€αŸ”

αž–αŸαžαŸŒαž˜αžΆαž“αž’αŸ†αž–αžΈαž€αžΆαžšαžŸαŸ’αžŠαžΆαž”αŸ‹

αž‘αžΌαžšαžŸαž–αŸ’αž‘αž†αŸ’αž›αžΆαžαžœαŸƒ αž“αž·αž„β€‹αžαŸαž”αŸ’αž›αŸαž
αžŠαŸ†αž‘αžΎαž„αž€αž˜αŸ’αž˜αžœαž·αž’αžΈ Google Play Books αžŸαž˜αŸ’αžšαžΆαž”αŸ‹ Android αž“αž·αž„ iPad/iPhone αŸ” αžœαžΆβ€‹αž’αŸ’αžœαžΎαžŸαž˜αž€αžΆαž›αž€αž˜αŸ’αž˜β€‹αžŠαŸ„αž™αžŸαŸ’αžœαŸαž™αž”αŸ’αžšαžœαžαŸ’αžαž·αž‡αžΆαž˜αž½αž™β€‹αž‚αžŽαž“αžΈβ€‹αžšαž”αžŸαŸ‹αž’αŸ’αž“αž€β€‹ αž“αž·αž„β€‹αž’αž“αž»αž‰αŸ’αž‰αžΆαžαž±αŸ’αž™β€‹αž’αŸ’αž“αž€αž’αžΆαž“αž–αŸαž›β€‹αž˜αžΆαž“αž’αŸŠαžΈαž“αž’αžΊαžŽαž·αž αž¬αž‚αŸ’αž˜αžΆαž“β€‹αž’αŸŠαžΈαž“αž’αžΊαžŽαž·αžβ€‹αž“αŸ…αž‚αŸ’αžšαž”αŸ‹αž‘αžΈαž€αž“αŸ’αž›αŸ‚αž„αŸ”
αž€αž»αŸ†αž–αŸ’αž™αžΌαž‘αŸαžšβ€‹αž™αž½αžšαžŠαŸƒ αž“αž·αž„αž€αž»αŸ†αž–αŸ’αž™αžΌαž‘αŸαžš
αž’αŸ’αž“αž€β€‹αž’αžΆαž…β€‹αž’αžΆαž“β€‹αžŸαŸ€αžœαž—αŸ…β€‹β€‹αžŠαŸ‚αž›β€‹αž”αžΆαž“β€‹αž‘αž·αž‰β€‹β€‹αž“αŸ…β€‹αž–αŸαž›β€‹β€‹β€‹αž€αž˜αŸ’αžŸαžΆαž“αŸ’αž Google αžŠαŸ„αž™β€‹αž”αŸ’αžšαžΎβ€‹αž€αž˜αŸ’αž˜αžœαž·αž’αžΈβ€‹αžšαž»αž€αžšαž€β€‹β€‹αž”αžŽαŸ’αžŠαžΆαž‰β€‹αž€αž»αŸ†αž–αŸ’αž™αžΌαž‘αŸαžšβ€‹αžšαž”αžŸαŸ‹β€‹β€‹αž’αŸ’αž“αž€αŸ”

αž’αŸ’αž“αž€αžŸαŸ’αžŠαžΆαž”αŸ‹αž€αŸαž”αžΆαž“αž…αžΌαž›αž…αž·αžαŸ’αž

αž…αŸ’αžšαžΎαž“αž‘αŸ€αžαžŠαŸ„αž™ Candice Carty-Williams

αžŸαŸ€αžœαž—αŸ…β€‹αž‡αžΆβ€‹αžŸαŸ†αž‘αŸαž„β€‹αžŸαŸ’αžšαžŠαŸ€αž„β€‹αž‚αŸ’αž“αžΆ