Imperial Life in the Emerald City: Inside Iraq’s Green Zone

· Blackstone Audio Inc. · Narrated by Ray Porter
3.5
2 reviews
Audiobook
10 hr 18 min
Unabridged
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About this audiobook

The Washington Post’s former Baghdad bureau chief, Rajiv Chandrasekaran, takes us into the Green Zone, headquarters for the American occupation in Iraq. In this bubble separated from wartime realities, the task of reconstructing a devastated nation competes with the distractions of a Little America—a half-dozen bars, a disco, a shopping mall—much of it run by Halliburton. While qualified Americans willing to serve in Iraq are screened for their views on Roe v. Wade, the country is put into the hands of inexperienced twentysomethings chosen for their Republican Party loyalty. Ignoring what Iraqis say they want or need, the team pursues irrelevant neoconservative solutions and pie-in-the-sky policies instead of rebuilding looted buildings and restoring electricity production. Their almost comic initiatives anger the locals and fuel the insurgency.

This is a quietly devastating portrait of imperial folly, and an essential book for anyone who wants to understand those early days when things went irrevocably wrong in Iraq.

Ratings and reviews

3.5
2 reviews

About the author

Rajiv Chandrasekaran is the assistant managing editor of the Washington Post where he has worked since 1994. He previously served the Post as a bureau chief in Baghdad, Cairo, and Southeast Asia and as a correspondent covering the war in Afghanistan. He lives in Washington, DC.

Ray Porter is a prolific voice actor that has recorded for over 100 audio books and dozens of television series, video games and video shorts. Among his wide variety of audiobook credits are The Silver Linings Playbook, The Black Hole War, and the Joe Ledger series. He claims, “With every book I’ve done, I have found that the author has a voice and if I can just do my best to stay out of the way of that voice, then the writer will convey what he’s trying to put across. So for me, it’s really more about enabling the text and what the author is trying to say.”

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