Reproduction
Louisa Hall
āŠāŦāŠĻ 2023 · Simon and Schuster · Stacey Glemboski āŠĶāŦāŠĩāŠūāŠ°āŠū āŠĩāŠ°āŦāŠĢāŠĻ āŠāŠ°āŦāŠē
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âCompelling, elegant and bitingly smart, Reproduction left me reeling. It is playful and serious, witty and searing, inventive and heart-rending. I utterly loved it.â Nell Stevens, author of Briefly, A Delicious Life
âI read this novel in a single rapturous sitting, torn between the desire to hurtle through its hypnotic prose and the desire to reread every perfect sentence. Reproduction exquisitely captures the lunacy of inhabiting an animal body with a human mind, and somehow manages also to be gross, funny, heartrending, and formally acrobatic. Louisa Hall is a singular talent and I am a devotee.â Melissa Febos, author of Body Work and Girlhood
âA brave and dynamic novel about the creation of life and art â narratively free, compulsively readable, and true to life.â
Tao Lin, author of Leave Society and Taipei
âWhat a brilliant novel! I was moved, troubled, enchanted; hardly able to breathe as I read. Hallâs dazzling and original tale has the force of myth, embodying the monstrous challenges of reproducing in our strange new world.â Andrea Barrett, author of Ship Fever and Natural History
For readers of Rachel Cusk, Jenny Offill, and Doireann Nà GhrÃofa, a deeply intimate novel about pregnancy, birth, and artistic creation, by the Dylan Thomas Prize-shortlisted author of Trinity and Speak.
A woman begins work on a novel about Mary Shelley while pregnant for the first time. Recently married, she has just moved from New York to Montana.
As the woman writes, fragments of Shelleyâs story begin to detach themselves from the page. Moving through her reproductive years, Shelley endured a catalogue of losses painful beyond comprehension. Still, she wrote, conceiving Frankenstein in 1818.
The womanâs experiences of pregnancy, miscarriage and labour are traumatic and disorienting, especially in the context of political upheaval, climate crisis, and an ongoing pandemic. Finally, she gives birth to a daughter and together they emerge into another world.
Then a friend from the past reappears. Anna is a biochemist who has been struggling to become a parent, a scientist who sees everything as an experiment. How far will she go in her desire to bring a baby into being?
A Frankenstein for the twenty-first century, Reproduction is a story of intense grief and transformative joy, and a powerful depiction of the emotional and physical costs of creating new life.
'Louisa Hall is a writer to be admired.' Kevin Powers, author of The Yellow Birds
âCrystalline, utterly persuasive and transfixing.â New York Times on Speak
âHypnotic . . . Hall has a knack for the precise, underwritten image.â Guardian on Speak
âI read this novel in a single rapturous sitting, torn between the desire to hurtle through its hypnotic prose and the desire to reread every perfect sentence. Reproduction exquisitely captures the lunacy of inhabiting an animal body with a human mind, and somehow manages also to be gross, funny, heartrending, and formally acrobatic. Louisa Hall is a singular talent and I am a devotee.â Melissa Febos, author of Body Work and Girlhood
âA brave and dynamic novel about the creation of life and art â narratively free, compulsively readable, and true to life.â
Tao Lin, author of Leave Society and Taipei
âWhat a brilliant novel! I was moved, troubled, enchanted; hardly able to breathe as I read. Hallâs dazzling and original tale has the force of myth, embodying the monstrous challenges of reproducing in our strange new world.â Andrea Barrett, author of Ship Fever and Natural History
For readers of Rachel Cusk, Jenny Offill, and Doireann Nà GhrÃofa, a deeply intimate novel about pregnancy, birth, and artistic creation, by the Dylan Thomas Prize-shortlisted author of Trinity and Speak.
A woman begins work on a novel about Mary Shelley while pregnant for the first time. Recently married, she has just moved from New York to Montana.
As the woman writes, fragments of Shelleyâs story begin to detach themselves from the page. Moving through her reproductive years, Shelley endured a catalogue of losses painful beyond comprehension. Still, she wrote, conceiving Frankenstein in 1818.
The womanâs experiences of pregnancy, miscarriage and labour are traumatic and disorienting, especially in the context of political upheaval, climate crisis, and an ongoing pandemic. Finally, she gives birth to a daughter and together they emerge into another world.
Then a friend from the past reappears. Anna is a biochemist who has been struggling to become a parent, a scientist who sees everything as an experiment. How far will she go in her desire to bring a baby into being?
A Frankenstein for the twenty-first century, Reproduction is a story of intense grief and transformative joy, and a powerful depiction of the emotional and physical costs of creating new life.
'Louisa Hall is a writer to be admired.' Kevin Powers, author of The Yellow Birds
âCrystalline, utterly persuasive and transfixing.â New York Times on Speak
âHypnotic . . . Hall has a knack for the precise, underwritten image.â Guardian on Speak
āŠēāŦāŠāŠ āŠĩāŠŋāŠķāŦ
Louisa Hall is an Assistant Professor of Creative Writing at the University of Iowa and the author of the critically acclaimed novels Reproduction, Trinity, Speak. Her poems have been published in The New Republic, Southwest Review, and other journals, and she is the recipient of grants from Yaddo, Macdowell, and The T.S. Eliot Foundation. She lives in Iowa City with her family.
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