Missing Clarissa: A Novel

· Macmillan Young Listeners · Narrated by Allen Winter, Atlanta Amado Foresyth, Inés del Castillo, Kimberly M. Wetherell, and Raymond J. Lee
2.0
1 review
Audiobook
7 hr 31 min
Unabridged
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About this audiobook

"This YA thriller features a podcast production with music and a full cast complementing evocative narration by Inés del Castillo."- AudioFile

This program is read by Inés del Castillo and a full cast and features a podcast with special sound design.

Perfect for fans of A Good Girl’s Guide to Murder, Ripley Jones's Missing Clarissa is a gripping novel about two friends who start a true crime podcast—with dangerous consequences.

In August of 1999, dazzlingly popular cheerleader Clarissa Campbell disappears from a party in the woods outside the rural town of Oreville, Washington and is never seen again. The police question her friends, teachers, and the adults who knew her—who all have something to hide. And thanks to Clarissa’s beauty, the mystery captures the attention of the nation. But with no leads and no body, the case soon grows cold. Despite the efforts of internet sleuths and true-crime aficionados, Clarissa is never found—dead or alive.

Over twenty years later, Oreville high-school juniors and best friends Blair and Cameron start a true crime podcast, determined to unravel the story of what—or who—happened to this rural urban legend. In the process they uncover a nest of dirty small-town secrets, the sordid truth of Clarissa’s relationship with her charismatic boyfriend, and a high school art teacher turned small-town figurehead who had a very good reason for wanting Clarissa dead. Such a good reason, in fact, that they might have to make him the highlight of their next episode...

But does an ugly history with a missing girl make him guilty of murder? Or are two teenage girls about to destroy the life of an innocent man—and help the true killer walk free?

A Macmillan Audio production from Wednesday Books.

Ratings and reviews

2.0
1 review
Darcia Helle
March 2, 2023
Here’s a positive: The audio production of Missing Clarissa is extremely well done. That’s the extent of my positives. 🤷🏻‍♀️ This “mystery” is light on the actual mystery and extremely heavy on teenage angst. I knew who killed Clarissa almost from the beginning. Even backwoods cops should have figured it out. Our two main characters, Cam and Blair, were not enjoyable to hang out with. Cam’s initially quirky personality quickly became annoying beyond tolerance. Everyone, including her best friend, routinely called her annoying. She was also impetuous, rude, and self-centered. Yet people liked her! I mean, why? She was like a five-year-old tyrant. The plot, such as it was, spent more time making a social statement than on creating an actual, you know, plot. 🙄 Our two white teenage stars consistently declared to each other and to us that white people abound. Every single description told us that over there are white boys and over here is a white girl and, hey, over there is a white woman. Good grief! We’re constantly treated to their mantra: “Everybody loves a dead girl.” Especially if she’s a dead white girl. And pretty. A dead, pretty, white girl. Get the hammer and hit me over the head because I’m not sure I got the message. Then we had a third teenager who declared herself a social justice warrior and prison abolitionist, at which point, our two teenage stars immediately followed suit. From there, we were treated to spontaneous, condescending lectures about racism, particularly as it pertains to the media, law, and prison. Not that I disagreed with these sentiments. In fact, I agreed with them. But the way it was done was grating and unnatural and obviously a ploy for the author to make a statement. No one reads to be preached at. Incorporate it into the plot, please. Make it go somewhere. But don’t simply toss all the hot topics in my face and say, “Here! Take that!” All that being said, this is a YA novel and I am far from a young adult. The story might hold appeal for teenagers, though given the (im)maturity of our main characters, I’d say an age range of 12-14. *My thanks to Macmillan Audio for the free download, and my apologies for this rant.*
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About the author

RIPLEY JONES is a person of interest.

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