Ronin Games

Β· Wearing the Cape αžŸαŸ€αžœαž—αŸ…αž‘αžΈ 5 Β· Tantor Media Inc Β· αž”αžšαž·αž™αžΆαž™αžŠαŸ„αž™ Caitlin Kelly
4.5
αž€αžΆαžšαžœαžΆαž™αžαž˜αŸ’αž›αŸƒ 2
αžŸαŸ€αžœαž—αŸ…β€‹αž‡αžΆβ€‹αžŸαŸ†αž‘αŸαž„
9 វិ 14 αž“
αž˜αž·αž“β€‹αžŸαž„αŸ’αžαŸαž”
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αž”αž“αŸ’αžαŸ‚αž˜

αž’αŸ†αž–αžΈαžŸαŸ€αžœαž—αŸ…β€‹αž‡αžΆαžŸαŸ†αž‘αŸαž„αž“αŸαŸ‡

Astra has returned to Chicago and the everyday life of a cape: getting kittens out of trees, training, aiding the city's emergency first-responders, training, doing public relations events, training, and the occasional superhero v. supervillain fight that threatens to level neighborhoods or at least set them on fire. Then Astra takes a hard hit during a fight and very briefly finds herself somewhere else, somewhere she's only been before in dreams and in the company of Kitsune, a shape-shifting trickster fox. Astra's friends learn she is under the increasing influence of an otherworldly realm they know absolutely nothing about, and that she may even be drawn permanently into it. If they hope to stop it from happening, they must find Kitsune before it's too late. But to find Kitsune they must go to Japan, and since Japan doesn't allow unsanctioned entry to foreign capes everything depends on secrecy. With no allies, few assets, and surprises at every turn, winning requires rewriting the rules and playing their own game. A ronin game.

αž€αžΆαžšαžŠαžΆαž€αŸ‹αž•αŸ’αž€αžΆαž™ αž“αž·αž„αž˜αžαž·αžœαžΆαž™αžαž˜αŸ’αž›αŸƒ

4.5
αž€αžΆαžšαžœαžΆαž™αžαž˜αŸ’αž›αŸƒ 2

αž’αŸ†αž–αžΈβ€‹αž’αŸ’αž“αž€αž“αž·αž–αž“αŸ’αž’

Marion G. Harmon is a former financial adviser in Las Vegas. He has a bachelor's degree in literature and a master's degree in history, which he earned for pleasure rather than profit.

Originally from Cleveland, Ohio, Caitlin Kelly moved to New York City to pursue her theatrical training at NYU Tisch School of the Arts. She has a BFA in drama and studied musical theater at CAP21. Caitlin currently lives in Brooklyn, New York, and can be heard on Time for Kids, forbes.com, and slate.com.

αžœαžΆαž™αžαž˜αŸ’αž›αŸƒβ€‹αžŸαŸ€αžœαž—αŸ…αž‡αžΆαžŸαŸ†αž‘αŸαž„αž“αŸαŸ‡

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αž–αŸαžαŸŒαž˜αžΆαž“αž’αŸ†αž–αžΈαž€αžΆαžšαžŸαŸ’αžŠαžΆαž”αŸ‹

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αž”αž“αŸ’αžαžŸαŸŠαŸαžšαžΈ

αž…αŸ’αžšαžΎαž“αž‘αŸ€αžαžŠαŸ„αž™ Marion G. Harmon

αžŸαŸ€αžœαž—αŸ…β€‹αž‡αžΆβ€‹αžŸαŸ†αž‘αŸαž„β€‹αžŸαŸ’αžšαžŠαŸ€αž„β€‹αž‚αŸ’αž“αžΆ