關於本有聲書
Strange Exit is a suspenseful, near-future, stand-alone thriller by Parker Peevyhouse, perfect for fans of Kass Morgan’s The 100 and Patrick Ness’s More Than This.
Seventeen-year-old Lake spends her days searching a strange, post-apocalyptic landscape for people who have forgotten one very important thing: this isn’t reality. Everyone she meets is a passenger aboard a ship that’s been orbiting Earth since a nuclear event. The simulation that was supposed to prepare them all for life after the apocalypse has trapped their minds in a shared virtual reality and their bodies in stasis chambers.
No one can get off the ship until all of the passengers are out of the sim, and no one can get out of the sim unless they believe it’s a simulation. It’s up to Lake to help them remember.
When Lake reveals the truth to a fellow passenger, seventeen-year-old Taren, he joins her mission to find everyone, persuade them that they’ve forgotten reality, and wake them up. But time’s running out before the simulation completely deconstructs, and soon Taren is deciding who’s worth saving and who must be sacrificed for the greater good. Now, Lake has no choice but to pit herself against Taren in a race to find the secret heart of the sim, where something awaits that will either save them or destroy them all.
關於作者
Parker Peevyhouse is the author of The Echo Room and the critically acclaimed collection of novellas, Where Futures End, which was named a best book for teens by the New York Public Library, Chicago Public Library, and Bank Street. A former bookseller, Parker lives in the San Francisco Bay Area and works in education.
Caitlin Davies is a New York City-based actor and audiobook narrator. Davies specializes in audiobooks for teens and young adults, including the House of Night series by P.C. Cast and Kristen Cast. She has performed in New York and regional theaters and is a member of the WorkShop Theater Company in New York City. She has a bachelor's degree from Vassar College, and has studied acting at the Eugene O'Neill National Institute, the British American Drama Academy, the Barrow Group, and Brown University/ Trinity Rep.
