In this most original examination of America's post-9/11 culture, Susan Faludi shines a light on the country's psychological response to the attacks on that terrible day. Turning her observational powers on the media, popular culture, and political life, Faludi unearths a barely acknowledged but bedrock societal drama shot through with baffling contradictions. Why, she asks, did our culture respond to an assault against American global dominance with a frenzied summons to restore "traditional" manhood, marriage, and maternity? Why did we react as if the hijackers had targeted not a commercial and military edifice but the family home and nursery? Why did an attack fueled by hatred of Western emancipation lead us to a regressive fixation on Doris Day womanhood and John Wayne masculinity, with trembling "security moms," swaggering presidential gun-slingers, and the "rescue" of a female soldier cast as a "helpless little girl"?
The answer, Faludi finds, lies in a historical anomaly unique to the American experience: the nation that in recent memory has been least vulnerable to domestic attack was forged in traumatizing assaults by non-white "barbarians" on town and village. That humiliation lies concealed under a myth of cowboy bluster and feminine frailty, which is reanimated whenever threat and shame looms—as they did on September 11.
Brilliant and important, The Terror Dream shows what 9/11 revealed about us—and offers the opportunity to look at ourselves anew.
Susan Faludi is the author of Stiffed: The Betrayal of the American Man and Backlash: The Undeclared War Against American Women, which won the National Book Critics Circle Award for Nonfiction. Her work has appeared in The New Yorker, The Wall Street Journal, The New York Times, The Los Angeles Times, and The Nation, among other publications. She lives in San Francisco.
Beth McDonald is an AudioFile Earphones Award-winner and has read a number of audiobooks including Susan Faludi's The Terror Dream, Sandra Brown's Sunny Chandler's Return, Tami Hoag's Dark Horse, and Elisabeth Hyde's The Abortionist's Daughter.