The Bagpipers

· Erika · Lesari: Peter Tucker
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Gjaldgeng
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This is one of George Sand's late great rural novels, dealing with life among the provincial poor, where customs were already changing when she wrote it.

Um höfundinn

Amantine Lucile Aurore Dupin, best known by her pen name George Sand, was a French novelist, memoirist, and journalist. One of the most popular writers in Europe in her lifetime, being more renowned than both Victor Hugo and Honoré de Balzac in England in the 1830s and 1840s, Sand is recognised as one of the most notable writers of the European Romantic era. George Sand was a celebrated yet controversial writer whose personal life oftentimes overshadowed her creative production. Known for its blend of romance and realism, her writing was effortlessly spontaneous and prolific without sacrificing style and form. Sand stated that the primary happiness in life was to be in love, and so she focused on relationships in most of her novels as she tackled the complexities of politics, society, and gender. Sand is best known for bold statements about the rights of women in nineteenth-century society, her exploration of contemporary social and philosophical issues, and her depiction of the lives and language of French provincials. Each period of her literary career focused on specific themes and had its own set of influences. Her rustic novels are perhaps the truest representation of her form as an author. The works of her first period reflect her rebellion against the bonds of marriage and deal largely with the relationships between men and women. Clearly influenced by English poet Lord Byron and French philosopher Jean-Jacques Rousseau, Sand wrote romantic novels full of passionate personal revolt and ardent feminism, attitudes that went against societal conventions and outraged her early British and American critics. These early novels, including Indiana, Lelia, and Jacques (1834), were extremely successful and established Sand as an important literary voice for her generation. Sand's pastoral novels, which depict rural scenes and peasant characters, form the last phase of her career. Set in Berry, where she grew up, La Mare au Diable (1846) and Francis the Waif (1847–1848) were inspired by her love of the French countryside and her sympathy with the peasants. Realistic in background detail and distinguished by their gentle idealism, these pastoral works are considered by many critics to be Sand's finest novels. Although she continued writing until her death, few of the works written after her pastoral period are remembered today. George Sand's life was unconventional in numerous ways: she was fond of dressing up in men's clothing in order to gain access to those parts of Paris where it was not decorous for ladies to go. She scandalised Parisian society by smoking in public. Sand's love affairs would include high-profile relationships with the composer Frédéric Chopin, the novelist Prosper Mérimée, and the poet and playwright Alfred de Musset.

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