The Catalyst
關於這本有聲書
Trey returns from another visit to the Moore estate with nothing but more anger and less room in his head to stow it. Old coping mechanisms no longer work. Not with a newborn in the mix. And Liv, who’s had enough.
Liv has found what’s missing: a memento of her past she’s worked hard to forget. It unearths memories of a different man—a stable partner, a loving father. As it draws her in, Trey’s new anger drives her away.
Desperate to find Liv, Trey digs into his arsenal of magic for a dark power he’s never used. He shouldn’t use. He has to use. What he doesn’t expect is who that power lures: a visitor, with answers for Liv, complications for Trey, and a claim on their daughter almost as threatening as the Moores’. And what that power creates: a weapon, perfectly crafted to target all who share his blood. A vulnerability placed upon their daughter. And the perfect way for the Moores to destroy them all.
關於作者
Kay Camden is equal parts writer, reader, and metalhead, who believes the best stories are love stories and all heroes must have a cool car. She writes twisty plots with smart heroines, haunted heroes, ancient feuds, forbidden love, magic, and revenge. She lives with her husband, two children, and an assortment of four-legged creatures in the middle of the USA next to the mighty Mississippi River.
Wayne Mitchell has been an actor all his life and has been described as a big guy with a big voice. He competed on the Forensics (Speech) Team in high school and college, doing mostly interpretation events (prose interpretation being a favorite). Since getting involved with audiobooks, Wayne feels like he's back doing Speech Team once again, and it's a welcome return! As an LA based (Meisner trained) actor of twenty yearrs, he has appeared in a dozen TV shows, loop grouped over a hundred TV episodes and numerous movies, and in 2015 cowrote/directed an independent feature film called SOLEDAD, which is available on Amazon Prime. Wayne brings versatility to any project. He's comfortable with a variety of voices and accents, but most importantly he brings a knack for conveying the truth. The truth of the words on the page. The truth of the experience the listener is being asked to participate in. Be that truth intergalactic in scope, or as familiar as Sunday brunch with Grandma.
Amanda Berry received her BFA in Theater at NYU and BA in French & Linguistics, studied Meisner technique at the William Esper Studio, and founded a theater company in New York—New Light Theater Project. From San Antonio, TX, to NYC, and now in the rural Pacific Northwest, she has dedicated herself to the study of voice as the foundation of communication.
