The Glass Woman

· Penguin · 朗讀者:Heiða Reed和Smari Gunn
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1686, ICELAND. AN ISOLATED, WINDSWEPT LAND HAUNTED BY WITCH TRIALS AND STEEPED IN THE ANCIENT SAGAS.

Betrothed unexpectedly to Jón Eiríksson, Rósa is sent to join her new husband in the remote village of Stykkishólmur. Here, the villagers are wary of outsiders.

But Rósa harbours her own suspicions. Her husband buried his first wife alone in the dead of night. He will not talk of it. Instead he gives her a small glass figurine. She does not know what it signifies.

The villagers mistrust them both. Dark threats are whispered. There is an evil here - Rósa can feel it. Is it her husband, the villagers - or the land itself?

Alone and far from home, Rósa sees the darkness coming. She fears she will be its next victim . . .


'Memorable and compelling. A novel about what haunts us - and what should' Sarah Moss, author of Ghost Wall

'Utterly unputdownable. Rich in superstition and mystery, it pulled me in. An incredible novel' Ali Land, author of Good Me Bad Me

'Haunting, evocative and utterly compelling. The Glass Woman transports the reader to a time and place steeped in mystery, where nothing is ever quite as it seems. Stunning' Tracy Borman, author of The King's Witch

'Like a ghost story told around a winter fire, The Glass Woman is taut, haunting, and broodingly tense. Playing out against the harsh backdrop of the Icelandic winter, it kept me hooked all the way to the end' Tim Leach, author of Smile of the Wolf

'Suspenseful, gripping and beautifully drawn' Cecilia Ekbäck, author of Wolf Winter

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3.0
1 則評論

關於作者

Caroline Lea grew up on the island of Jersey. The Glass Woman, her debut, is a gothic thriller set during the Icelandic witch trials. The Metal Heart, a Waterstones Scottish Book of the Month, is an epic Second World War love story; Prize Women reveals a feminist scandal at the heart of the roaring 20s. Her latest novel reimagines Mary Shelley and the writing of Frankenstein.

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