The Little Sleep

Paul Tremblay

2021年1月 · Mark Genevich 1 巻 · Bolinda · ナレーション: James O'Connell

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Mark Genevich is a South Boston P.I. with a little problem – he's narcoleptic, and he suffers from the most severe symptoms, including hypnogogic hallucinations. These waking dreams wreak havoc for a guy who depends on real-life clues to make his living. Clients haven't exactly been beating down the door when Mark meets Jennifer Times – daughter of the powerful local D.A. and a contestant on American Star – who walks into his office with an outlandish story about a man who stole her fingers. He awakes from his latest hallucination alone, but on his desk is a manila envelope containing risqué photos of Jennifer. Are the pictures real, and if so, is Mark hunting a blackmailer, or worse? Wildly imaginative and with a pitch-perfect voice, Paul Tremblay's The Little Sleep is the first in a new series that casts a fresh eye on the rigors of detective work, and introduces a character who has a lot to prove – if only he can stay awake long enough to do it.

著者について

Paul Tremblay is the author of Disappearance at Devil's Rock and the award-winning A Head Full of Ghosts. His other novels include The Little Sleep (Henry Holt), No Sleep till Wonderland (Henry Holt), Swallowing a Donkey's Eye (Chizine Publications), and the YA novel Floating Boy and the Girl Who Couldn't Fly (co-written with Stephen Graham Jones, as P. T. Jones). He is the author of the short story collections Compositions for the Young and Old (Prime) and In the Mean Time (Chizine Publications). His essays and short fiction have appeared in the Los Angeles Times and numerous year's best anthologies. He is the co-editor of four anthologies including Creatures: Thirty Years of Monster Stories (with John Langan). Paul is a member of the board of directors for the Shirley Jackson Awards. He lives outside of Boston, Massachusetts, has a master's degree in Mathematics, and has no uvula.

James O'Connell is an Australian screen and stage actor. James’ most recent work includes Harry Potter and the Cursed Child, which played exclusively at Melbourne’s Princess Theatre to rave reviews, Playmaker’s Bite Club, Mel Gibson’s Oscar-nominated feature film Hacksaw Ridge, Jane Campion’s Top of the Lake: China Girl, David Michod’s War Machine and Jennifer Kent’s The Nightingale. James’s work on the Melbourne stage has seen him nominated for several Green Room Awards.