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From its unforgettable opening scene in the darkness of a forgotten cemetery in Buenos Aires, The Ministry of Special Cases casts a powerful spell. In the heart of Argentina’s Dirty War, Kaddish Poznan struggles with a son who won’t accept him; strives for a wife who forever saves him; and spends his nights protecting the good name of a community that denies his existence–and denies a checkered history that only Kaddish holds dear.
Nathan Englander’s first novel is a timeless story of fathers and sons. In a world turned upside down, where the past and the future, the nature of truth itself, all take shape according to a corrupt government’s whims, one man–one spectacularly hopeless man–fights to overcome his history and his name, and, if for only once in his life, to put things right. The Ministry of Special Cases, like Englander’s stories before it, is a celebration of our humanity, in all its weakness, and–despite that–hope.
Nathan Englander’s first novel is a timeless story of fathers and sons. In a world turned upside down, where the past and the future, the nature of truth itself, all take shape according to a corrupt government’s whims, one man–one spectacularly hopeless man–fights to overcome his history and his name, and, if for only once in his life, to put things right. The Ministry of Special Cases, like Englander’s stories before it, is a celebration of our humanity, in all its weakness, and–despite that–hope.
關於作者
NATHAN ENGLANDER is the author of the novels Dinner at the Center of the Earth and The Ministry of Special Cases, and the story collections For the Relief of Unbearable Urges and What We Talk About When We Talk About Anne Frank—winner of the Frank O'Connor International Short Story Award and finalist for the Pulitzer Prize. His short fiction has been widely anthologized, most recently in 100 Years of the Best American Short Stories. Englander's play, The Twenty-Seventh Man, premiered at The Public Theater in 2012. He translated the New American Haggadah and co-translated Etgar Keret's Suddenly a Knock on the Door. He is Distinguished Writer-in-Residence at New York University, and lives in Brooklyn, New York, with his wife and daughter.
Arthur Morey has acted in a number of productions, both Off-Broadway in New York and Off-Loop in Chicago. He’s won several Earphones Awards and has been repeatedly listed by AudioFile Magazine as a Best Voice over the years.
Arthur Morey has acted in a number of productions, both Off-Broadway in New York and Off-Loop in Chicago. He’s won several Earphones Awards and has been repeatedly listed by AudioFile Magazine as a Best Voice over the years.
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