The Peroxide Pomp

· Dagmar Miura · Matt tərəfindən Sİ ilə səsləndirilib (Google-dan)
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Don’t mess with the hothead—or he might just mess with you. Slater Ibáñez is only interested in two kinds of guys: the ones he wants to punch, and the ones he sleeps with. Things get interesting when they start to overlap. A freelance investigator, Slater trolls the dark side of Los Angeles, rooting out insurance fraud, not afraid to use whatever means necessary to get things done, and not about to hold back with his fists. A queer antihero for a new age, Slater walks the line between ordinary life and the frayed fringes of society, keeping his balance with the back-channel support he gets from his idiot cop ex-boyfriend, Conrad, and regular squeeze Andy.

Interrupted late one night by Marisol, a desperate woman seeking help from his business partner, Slater agrees to go after her husband, Abner, a nebbishy accountant who’s making their divorce negotiations a nightmare. But why is Marisol traveling with a bodyguard, and why is she more interested in uncovering Abner’s secret assets than just warning him off? With Andy’s help, Slater infiltrates Abner’s office and befriends staffer Nolan on a quest to figure out where all the money is coming from. Unable to keep his libido in check, Slater winds up in bed with one of the principals, and struggles to keep the entanglement from clouding his judgment. After using his illicit Russian tech to surveille Abner and a degenerate religious nut, some covert deception with his elderly neighbor, and an excursion to a seedy bar in Albuquerque, Slater begins to unravel Marisol’s end game. Debilitated by his addictions dragging him closer to rock bottom, and wading through a sea of compulsive hookups with an array of guys, Slater is ultimately confronted with a moral dilemma that puts other people’s lives in the balance.

Müəllif haqqında

George Bixley held a string of jobs, from parking attendant to night desk clerk, before finding his groove in Los Angeles, settling into the seedy underbelly of the metropolis and trying to keep ahead of the wave of gentrification. Bixley sells his soul by day and dredges the bottom by night.

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