The President and Immigration Law

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· Highbridge Audio · Narator: Gary Tiedemann
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Who controls American immigration policy? The biggest immigration controversies of the last decade have all involved policies produced by the President-policies such as President Obama's decision to protect Dreamers from deportation and President Trump's proclamation banning immigrants from several majority-Muslim nations. While critics of these policies have been separated by a vast ideological chasm, their broadsides have embodied the same widely shared belief: that Congress, not the President, ought to dictate who may come to the United States and who will be forced to leave. This belief is a myth. In The President and Immigration Law, Adam B. Cox and Cristina M. Rodriguez chronicle the untold story of how, over the course of two centuries, the President became our immigration policymaker-in-chief. Diving deep into the history of American immigration policy, from founding-era disputes over deporting sympathizers with France to contemporary debates about asylum-seekers at the Southern border, they show how migration crises, real or imagined, have empowered presidents. Far more importantly, they also uncover how the Executive's ordinary power to decide when to enforce the law, and against whom, has become an extraordinarily powerful vehicle for making immigration policy.

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O autoru

Adam B. Cox is Robert A. Kindler Professor of Law at New York University School of Law. He is a leading expert on immigration law, voting rights, and constitutional law. His writing has appeared in the Yale Law Journal, Stanford Law Journal, Journal of Law and Economics, and many other scholarly publications.

Cristina M. Rodriguez is Leighton Homer Surbeck Professor of Law at Yale Law School and a nationally recognized scholar of administrative, constitutional, and immigration law. Her work has been published in numerous academic journals, including the Yale Law Journal, the Columbia Law Review, and Daedelus.

Gary Tiedemann is a Florida and New York-based narrator, but learned how to act in Chicago's improv, sketch-comedy, and theater scene. He came to audiobook narration after voicing countless commercials and videos over a twenty-year voice-over career.

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