The Ride Down Mt. Morgan

· L.A. Theatre Works · Brian Cox, Saidah Arrika Ekulona, Amy Pietz, Gregory Itzin, Jenny O'Hara અને Kirsten Potter દ્વારા વર્ણન કરેલ
ઑડિયોબુક
1 કલાક 49 મિનિટ
વિસ્તૃત
પાત્ર
રેટિંગ અને રિવ્યૂ ચકાસેલા નથી વધુ જાણો
12 મિનિટનો નમૂનો જોઈએ છે? ઑફલાઇન હો, ત્યારે પણ ગમે ત્યારે સાંભળો. 
ઉમેરો

આ ઑડિયોબુક વિશે

Lyman Felt has it all. Wealth, success, power and the kind of good solid wife he needs. Oh, and he also has another wife, the kind of earthy, sexy woman he wants. Lyman juggles his artful lie until a car accident on the slippery slope of Mt. Morgan lands him in a hospital bed and the two wives in the waiting room. But really, is there any such thing as "just an accident?"


Includes an interview with Robert M. Collins, author of Transforming America: Politics and Culture During the Reagan Years.


Recorded before a live audience at the Skirball Cultural Center, Los Angeles in May 2005.


Directed by Richard Masur

Producing Director: Susan Albert Loewenberg


An L.A. Theatre Works full cast performance featuring:

Brian Cox as Lyman Felt

Saidah Arrika Ekulona as Nurse Logan

Gregory Itzin as Tom Wilson

Jenny O'Hara as Theo Felt

Amy Pietz as Leah Felt

Kirsten Potter as Bessie Felt


Recording Engineer/Sound Designer/Editor: Mark Holden

Stage Manager and Live Sound Effects: Leora Wien and Jode Ryskiewicz

લેખક વિશે

The son of a well-to-do New York Jewish family, Miller graduated from high school and then went to work in a warehouse. He was born on October 17, 1915, in Harlem, New York City. His plays have been called "political," but he considers the areas of literature and politics to be quite separate and has said, "The only sure and valid aim---speaking of art as a weapon---is the humanizing of man." The recurring theme of all his plays is the relationship between a man's identity and the image that society demands of him. After two years, he entered the University of Michigan, where he soon started writing plays. All My Sons (1947), a Broadway success that won the New York Drama Critics Circle Award in 1947, tells the story of a son, home from the war, who learns that his brother's death was due to defective airplane parts turned out by their profiteering father. Death of a Salesman (1949), Miller's experimental yet classical American tragedy, received both the Pulitzer Prize and the New York Drama Critics Circle Award in 1949. It is a poignant statement of a man facing himself and his failure. In The Crucible (1953), a play about bigotry in the Salem witchcraft trials of 1692, Miller brings into focus the social tragedy of a society gone mad, as well as the agony of a heroic individual. The play was generally considered to be a comment on the McCarthyism of its time. Miller himself appeared before the Congressional Un-American Activities Committee and steadfastly refused to involve his friends and associates when questioned about them. His screenplay for The Misfits (1961), from his short story, was written for his second wife, actress Marilyn Monroe (see Vol. 3); After the Fall (1964) has clear autobiographical overtones and involves the story of this ill-fated marriage as well as further dealing with Miller's experiences with McCarthyism. In the one-act Incident at Vichy (1964), a group of men are picked off the streets one morning during the Nazi occupation of France. The Price (1968) is a psychological drama concerning two brothers, one a police officer, one a wealthy surgeon, whose long-standing conflict is explored over the disposal of their father's furniture. The Creation of the World and Other Business (1973) is a retelling of the story of Genesis, attempted as a comedy. The American Clock (1980) explores the impact of the Depression on the nation and its individual citizens. Among Miller's most recent works is Danger: Memory! (1987), a study of two elderly friends. During the 1980s, almost all of Miller's plays were given major British revivals, and the playwright's work has been more popular in Britain than in the United States of late. Miller died of heart failure after a battle against cancer, pneumonia and congestive heart disease at his home in Roxbury, Connecticut. He was 89 years old.

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