The Watcher

¡ HQ ¡ Catherine Steadmanā§° āĻĻā§āĻŦāĻžā§°āĻž āĻŦāĻ°ā§āĻŖāĻŋāĻ¤
āĻ…āĻĄāĻŋāĻ…'āĻŦā§āĻ•
7 āĻ˜āĻŖā§āĻŸāĻž 51 āĻŽāĻŋāĻ¨āĻŋāĻŸ
āĻ¸āĻŽā§āĻĒā§‚ā§°ā§āĻŖ
āĻ¯ā§‹āĻ—ā§āĻ¯
āĻŽā§‚āĻ˛ā§āĻ¯āĻžāĻ‚āĻ•āĻ¨ āĻ†ā§°ā§ āĻĒā§°ā§āĻ¯āĻžāĻ˛ā§‹āĻšāĻ¨āĻž āĻ¸āĻ¤ā§āĻ¯āĻžāĻĒāĻ¨ āĻ•ā§°āĻž āĻšā§‹ā§ąāĻž āĻ¨āĻžāĻ‡  āĻ…āĻ§āĻŋāĻ• āĻœāĻžāĻ¨āĻ•
āĻāĻŸāĻž 15 āĻŽāĻŋāĻ¨āĻŋāĻŸ āĻ¨āĻŽā§āĻ¨āĻž āĻ˛āĻžāĻ—ā§‡ āĻ¨ā§‡āĻ•āĻŋ? āĻ¯āĻŋāĻ•ā§‹āĻ¨ā§‹ āĻ¸āĻŽā§ŸāĻ¤ā§‡ āĻļā§āĻ¨āĻ•, āĻ†āĻ¨āĻ•āĻŋ āĻ…āĻĢāĻ˛āĻžāĻ‡āĻ¨ āĻšā§ˆ āĻĨāĻžāĻ•ā§‹āĻāĻ¤ā§‡āĻ“āĨ¤Â 
āĻ¯ā§‹āĻ— āĻ•ā§°āĻ•

āĻāĻ‡ āĻ…āĻĄāĻŋāĻ…’āĻŦā§āĻ•āĻ–āĻ¨ā§° āĻŦāĻŋāĻˇā§Ÿā§‡

The Girl on the Train meets Rear Window, The Watcher is an absolutely addictive and on trend commercial psychological suspense read, with a captivating unreliable narrator and some powerful narrative twists.

She’s watching you, but who’s watching her?

Lily Gullick lives with her husband Aiden in a new-build flat opposite an estate which has been marked for demolition. A keen birdwatcher, she can’t help spying on her neighbours.

Until one day Lily sees something suspicious through her binoculars and soon her elderly neighbour Jean is found dead. Lily, intrigued by the social divide in her local area as it becomes increasingly gentrified, knows that she has to act. But her interference is not going unnoticed, and as she starts to get close to the truth, her own life comes under threat.

But can Lily really trust everything she sees?

āĻ˛āĻŋāĻ–āĻ•ā§° āĻŦāĻŋāĻˇāĻ¯āĻŧā§‡

Ross Armstrong is an actor and writer based in North London. He studied English Literature at Warwick University and acting at RADA. As a stage and screen actor he has performed in the West End, Broadway and in upcoming shows for HBO and Netflix. Ross’ debut title The Watcher was a top twenty bestseller and has been longlisted for the CWA John Creasey New Blood Dagger.

āĻāĻ‡ āĻ…āĻĄāĻŋāĻ…’āĻŦā§āĻ•āĻ–āĻ¨ā§° āĻŽā§‚āĻ˛ā§āĻ¯āĻžāĻ‚āĻ•āĻ¨ āĻ•ā§°āĻ•

āĻ†āĻŽāĻžāĻ• āĻ†āĻĒā§‹āĻ¨āĻžā§° āĻŽāĻ¤āĻžāĻŽāĻ¤ āĻœāĻ¨āĻžāĻ“āĻ•āĨ¤

āĻ…āĻĄāĻŋāĻ…'āĻŦā§āĻ• āĻļā§āĻ¨āĻžā§° āĻ¨āĻŋāĻ°ā§āĻĻā§‡āĻļāĻžā§ąāĻ˛ā§€

āĻ¸ā§āĻŽāĻžā§°ā§āĻŸāĻĢ’āĻ¨ āĻ†ā§°ā§ āĻŸā§‡āĻŦāĻ˛ā§‡āĻŸ
Android āĻ†ā§°ā§ iPad/iPhoneā§° āĻŦāĻžāĻŦā§‡ Google Play Books āĻāĻĒāĻŸā§‹ āĻ‡āĻ¨āĻˇā§āĻŸāĻ˛ āĻ•ā§°āĻ•āĨ¤ āĻ‡ āĻ¸ā§āĻŦāĻ¯āĻŧāĻ‚āĻ•ā§āĻ°āĻŋāĻ¯āĻŧāĻ­āĻžā§ąā§‡ āĻ†āĻĒā§‹āĻ¨āĻžā§° āĻāĻ•āĻžāĻ‰āĻŖā§āĻŸā§° āĻ¸ā§ˆāĻ¤ā§‡ āĻ›āĻŋāĻ‚āĻ• āĻšāĻ¯āĻŧ āĻ†ā§°ā§ āĻ†āĻĒā§āĻ¨āĻŋ āĻ¯'āĻ¤ā§‡ āĻ¨āĻžāĻĨāĻžāĻ•āĻ• āĻ¤'āĻ¤ā§‡āĻ‡ āĻ•ā§‹āĻ¨ā§‹ āĻ…āĻĄāĻŋāĻ…'āĻŦā§āĻ• āĻ…āĻ¨āĻ˛āĻžāĻ‡āĻ¨ āĻŦāĻž āĻ…āĻĢāĻ˛āĻžāĻ‡āĻ¨āĻ¤ āĻļā§āĻ¨āĻŋāĻŦāĻ˛ā§ˆ āĻ¸ā§āĻŦāĻŋāĻ§āĻž āĻĻāĻŋāĻ¯āĻŧā§‡āĨ¤
āĻ˛ā§‡āĻĒāĻŸāĻĒ āĻ†ā§°ā§ āĻ•āĻŽā§āĻĒāĻŋāĻ‰āĻŸāĻžā§°
āĻ•āĻŽā§āĻĒāĻŋāĻ‰āĻŸāĻžā§°ā§° ā§ąā§‡āĻŦ āĻŦā§āĻ°āĻžāĻ‰āĻœāĻžā§° āĻŦā§āĻ¯ā§ąāĻšāĻžā§° āĻ•ā§°āĻŋ āĻ†āĻĒā§āĻ¨āĻŋ Google PlayāĻ¤ āĻ•āĻŋāĻ¨āĻž āĻ•āĻŋāĻ¤āĻžāĻĒāĻ¸āĻŽā§‚āĻš āĻĒāĻĸāĻŧāĻŋāĻŦ āĻĒāĻžā§°ā§‡āĨ¤

Ross Armstrongā§° āĻĻā§āĻŦāĻžā§°āĻž āĻ†ā§°ā§ āĻ…āĻ§āĻŋāĻ•

āĻāĻ•ā§‡āĻ§ā§°āĻŖā§° āĻ…āĻĄāĻŋāĻ…’āĻŦā§āĻ•

Catherine Steadmanā§° āĻĻā§āĻŦāĻžā§°āĻž āĻŦāĻ°ā§āĻŖāĻŋāĻ¤