Talks With a Devil

Library of Alexandria · AI-narrated by Ava (from Google)
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4 hr 33 min
Unabridged
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“I will tell you a fairy tale,” said the Devil, “on one condition: you must not ask me the moral. You may draw any conclusion you like, but please do not question me. As it is, far too many follies are laid at our door, yet we, strictly speaking, do not even exist. It is you who create us.” My story takes place in New York some twenty-five years ago. There lived then a young man by the name of Hugh B.; I will not tell you his full name, but you will soon guess it for yourself. His name is known now to people in all five parts of the globe. But then he was completely unknown. I will start at a tragic moment in the life of this young man, when he was travelling from one of the suburbs of New York to Manhattan, with the intention of buying a revolver and then shooting himself on a lonely shore on Long Island; in a spot which had remained in his memory from the times of boyhood excursions, when he and his playmates, pretending to be explorers, had discovered unknown countries around New York.

His intention was very definite and the decision final. All in all, it was a very common occurrence in the life of a big city, something encountered repeatedly; in fact, to be frank, I have had to arrange similar events thousands and tens of thousands of times. However, this time such a common beginning had a quite uncommon sequel and a most uncommon result.

Nevertheless before turning to the outcome of the day, I must tell you in detail all that led up to it.

Hugh was a born inventor. From early childhood, when walking with his mother in the park or playing with other children, or simply sitting quietly in a comer building with bricks or drawing monsters, he invented incessantly, constructing in his mind a variety of extraordinary contrivances, improvements for everything in the world.

He derived a special satisfaction from inventing improvements and adaptations for his aunt. He would draw her with a chimney, or on wheels. For one drawing, in which this not young maiden was portrayed with six legs and other variations, the little Hugh was severely punished. It was one of his first memories.

Not long after this Hugh learned first to design and then to make models of his inventions. By this time he had learnt that live people cannot be improved upon. Nevertheless his inventions were, of course, all pure fantasy: when he was fourteen, he nearly drowned himself trying out home-made water skis of his own design.

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