Blueprints: How mathematics shapes creativity
About this audiobook
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Many artists are unaware of the mathematics that bubble beneath their craft, while some consciously use it for inspiration. Our instincts might tell us that these two subjects are incompatible forces with nothing in common, but what if we’re wrong?
Marcus du Sautoy, acclaimed mathematician and Simonyi Professor for the Public Understanding of Science at the University of Oxford, looks to art, music, design and literature to uncover the key mathematical structures that underpin both human creativity and the natural world.
Blueprints takes us from the earliest stone circles to the modernist architecture of Le Corbusier, from Bach’s circular compositions to Radiohead’s disruptive soundscapes, and from Shakespeare’s hidden numerical clues to the Dada artists who embraced randomness. Instead of polar opposites we find a complementary relationship that spans a vast historical and geographic landscape.
Whether we are searching for meaning in an abstract painting or deciphering poetry, there are blueprints everywhere: prime numbers, symmetry, fractals and the weirder worlds of Hamiltonian cycles and hyperbolic geometry. Nature similarly exploits these structures to achieve the wonders of our universe.
In this innovative and delightfully bold exploration of creativity, Marcus explains how we make art, why a creative mindset is vital for discovering new mathematics and how a fundamental connection to the natural world intrinsically links these two subjects.
About the author
Marcus du Sautoy is Professor of Mathematics at the University of Oxford and a fellow of the Royal Society. In 2008 he was appointed to the university’s prestigious professorship as the Simonyi Chair for the Public Understanding of Science, a post previously held by Richard Dawkins. He has presented numerous radio and TV programmes, including a four-part landmark TV series for the BBC called The Story of Maths. He works extensively with a range of arts organisations bringing science alive for the public, from the Royal Opera House to the Glastonbury Festival and from Complicite theatre company to the Serpentine Gallery.
