7 String Guitar Method: Book 1

· Graham Tippett
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Über dieses E-Book

There's a little more than meets the eye when making the transition from 6 to 7-string guitar. Reference books for the 7-string guitar have their uses but what's lacking is an actual method for applying and transferring what you already know to this new instrument. This book goes beyond the limits of a reference book to provide you with a complete system for learning and/or transferring scales, arpeggios, chords and triads to the 7-string fretboard, in any key. This book is for guitarists who: 

-Want to understand how scales, chords, arpeggios and triads work on a 7-string guitar. -Are looking for a 7-string guitar method, not a reference book. -Already have a good knowledge of theory and want to transfer it to the 7-string guitar. -Are making the transition from 6 to 7 strings. -Feel that the 7-string guitar hasn't quite 'clicked' for them yet. 

In Book 1 we cover: -The major and natural minor scales. -The major and minor pentatonic scales. -The blues scale. -Diatonic 7th arpeggios. -Triads and triad arpeggios. -Diatonic chords.

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Autoren-Profil

Graham Tippett (1977-) studied literature, music and languages in the UK before making a permanent move to Mexico in 2005. It was there he began to explore and research methods of improvisation on the guitar and published the '2 Position Scale System' series of instruction books in 2014, which are the fruit of that research. He is also well-known for his love of languages and music, drawing parallels between the two art forms as he continues to write and research on the subjects of language learning and improvisation. His relentless research into guitar improvisation has recently lead to the creation of the Hacking the CAGED System series of books, and Soloing Without Scales - an alternative look at how to improvise on guitar. Graham is also a graduate of the ACM (Academy of Contemporary Music) in Guildford, where he was taught by the likes of Guthrie Govan, Dave Kilminster, Eric Roche and many others. 

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