A Crooked Mile: Oliver Onions Collections

· Oliver Onions Collections Βιβλίο 3 · 谷月社
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I
THE WITAN

Lady Tasker had missed her way in the Tube. She had been on, or rather under known ground on the Piccadilly Railway as far as Leicester Square, but after that she had not heard, or else had forgotten, that in order to get to Hampstead by the train into which she had stepped she must change at Camden Town. Or perhaps she had merely wondered what Camden Town supposed itself to be that she should put herself to the trouble of changing there. With the newspaper held at arm's length, and a little figure-8-shaped gold glass moving slightly between her puckered old eyes and the page, she was reading the "By the Way" column of the "Globe."—"All change," called the man at Highgate; and, still unconscious of her mistake, Lady Tasker left the train. She was the last to enter the lift. But for an unhurried raising of the little locket-shaped glass as the attendant fidgeted at the half-closed gate she might have been the first to enter the next lift.

Only from the policeman outside Highgate Station did she learn that she must either take the Tube back again to Camden Town or else walk across the Heath.

Now Lady Tasker was seventy, and, with the exception of the Zoo, a place she visited from time to time with troops of turbulent great-nephews, the whole of North London was a sort of Camden Town to her, that is to say, she had no objection to its existence so long as it wasn't troublesome. It was half-past three when she said as much to the Highgate policeman, who up to that time had been an ordinary easy-going Conservative; by five-and-twenty minutes to four she had made of him a fuming Radical. He was saying something about South Square and Merton Lane. Lady Tasker addressed the bracing Highgate air in one of those expressionless and semi-ventriloquial asides that, especially in a mixed company, always made her ladyship very well worth sitting next to....
II
THE POND-ROOM
III
THE "NOVUM"
IV
THE STONE WALL
V
THREE SHIPS
VI
POLICY
Part II
I
THE PIGEON PAIR
II
THE 'VERT
III
THE IMPERIALISTS
IV
THE OUTSIDERS
V
"HOUSE FULL"
VI
THE SOUL STORM
Part III
I
LITMUS
II
BY THE WAY
III
DE TROP
IV
GREY YOUTH
TAILPIECE
METHUEN'S POPULAR NOVELS
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Originally trained as a commercial artist, he worked as a designer of posters and books, and as a magazine illustrator during the Boer War. Encouraged by the American writer Gelett Burgess, Onions began writing fiction. The first editions of his novels were published with dust jackets bearing full-colour illustrations painted by Onions himself.

Poor Man's Tapestry (1946) and its prequel, Arras of Youth (1949) are about the adventures of a juggler, Robert Gandelyn, in the fourteenth century. Onions wrote two detective novels: A Case in Camera and In Accordance with the Evidence. Two of his works are science fiction novels:New Moon (1918) about a utopian Britain, and The Tower of Oblivion (1921), featuring a middle-aged man who recedes back to his youth. A Certain Man (1931), about a magical suit of clothes, and A Shilling to Spend (1965), about a self-perpetuating coin, are fantasy novels. Onions wrote several collections of ghost stories, of which the best known is Widdershins (1911). It includes the novella The Beckoning Fair One, widely regarded as one of the best in the genre of horror fiction, especially psychological horror. On the surface, this is a conventional haunted house story: an unsuccessful writer moves into rooms in an otherwise empty house, in the hope that isolation will help his failing creativity. His sensitivity and imagination are enhanced by his seclusion, but his art, his only friend and his sanity are all destroyed in the process. The story can be read as narrating the gradual possession of the protagonist by a mysterious and possessive feminine spirit, or as a realistic description of a psychotic outbreak culminating in catatonia and murder, told from the psychotic subject's point of view. The precise description of the slow disintegration of the protagonist's mind is terrifying in either case. Another theme, shared with others of Onions' stories, is a connection between creativity and insanity; in this view, the artist is in danger of withdrawing from the world altogether and losing himself in his creation. Another noted story from Widdershins is "Rooum", about an engineer pursued by a mysterious entity. "Phantas", "The Rosewood Door" and "The Rope in the Rafters" involve time shifts.

The title novella of The Painted Face (1929) is about a Greek girl who is the reincarnation of an ancient spirit; Ashley describes it as "one of the finest works in the genre". The collection also contains "The Master of the House", a story involving a werewolf and black magic.

A long supernatural novel is The Hand of Kornelius Voyt about an isolated boy who falls under the psychic influences of another.

Onions was awarded the James Tait Black Memorial Prize for his 1946 novel Poor Man's Tapestry.

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