A Double Affair
јан 2024. · The Barsetshire Novels 26. књига · Open Road Media
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A “charming troupe” of Barsetshire inhabitants celebrate a spate of marriages—while one young woman bemoans her prospects—in this novel of 1950s English life (The New York Times).
The locals are all talking about the upcoming wedding of the vicar of Hatch End to the much-loved Miss Merriman—in fact, the couple’s friends and neighbors seem even more excited than the bride- and groom-to-be. But that’s to be expected when a couple of a certain age tie the knot, because it reminds everyone that it’s never too late for love. And though Edith Graham is increasingly gloomy about landing a husband, the romantic spirit of the event just might be contagious . . .
“Where Trollope would have been content to arouse a chuckle, [Thirkell] is constantly provoking us to hilarious laughter. . . . To read her is to get the feeling of knowing Barsetshire folk as well as if one had been born and bred in the county.” —Kirkus Reviews
“[Thirkell’s] talent for easy, light characterization does not seem to be flagging.” —The Times Literary Supplement
The locals are all talking about the upcoming wedding of the vicar of Hatch End to the much-loved Miss Merriman—in fact, the couple’s friends and neighbors seem even more excited than the bride- and groom-to-be. But that’s to be expected when a couple of a certain age tie the knot, because it reminds everyone that it’s never too late for love. And though Edith Graham is increasingly gloomy about landing a husband, the romantic spirit of the event just might be contagious . . .
“Where Trollope would have been content to arouse a chuckle, [Thirkell] is constantly provoking us to hilarious laughter. . . . To read her is to get the feeling of knowing Barsetshire folk as well as if one had been born and bred in the county.” —Kirkus Reviews
“[Thirkell’s] talent for easy, light characterization does not seem to be flagging.” —The Times Literary Supplement
О аутору
Angela Thirkell (1890–1961) was a British author whose ability to produce one book a year, every year, and set in that year blurred the lines between novelist and social historian. Like so many of the writers that she admired—Charles Dickens, Jane Austen, George Eliot—Thirkell shared their X-ray vision: an unmatched ability to assess the hypocrisies, desires, and prejudices of her characters and, better still, play them for laughs. Her biggest literary project, the Barsetshire Chronicles, consists of twenty-nine novels, each acting as another slice of English country life; a utopian vision of bucolic countryside, grand manors, and village fêtes.
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