A Fistful of Elven Gold
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Pitched into a maelstrom of treachery and lethal politics, Drago is forced into a long and dangerous journey to the heart of the Sylvan Marches, where one determined gnome might just decide the destiny of a kingdom. If he can survive long enough to decide which side he ought to be on.
At the publisher's request, this title is sold without DRM (Digital Rights Management).
About Alex Stewart's Shooting the Rift:
“Stewart makes his [faster than light travel] technology as accessible and relevant as the neuroware, genetic engineering, anti-gravity, and other assorted techno-furniture of the milieu. His various venues . . . are limned with vigor, vividness and vivacity. The personages are all true-to-life, delivering fine banter and plot-propelling dialogue, arising out of fully believable motivations and drives and desires. . . . the best of what ambitious adventure SF has always done and can plainly continue to do.”—Locus
“Stewart writes with sly wit. He pokes fun at modern science fiction tropes. His clever writing even satirizes science fiction satire. He combines this with rollicking adventure, original plot twists and unexpected revelations and endings. Shooting the Rift is fun to read. Better still it promises a sequel.”—Galveston County Daily News
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Born in Southend-on-Sea, a fading costal resort at the mouth of the Thames Estuary, Alex Stewart has been writing stories since he could first hold a pen. Introduced to science fiction at an early age by his grandmother’s enthusiasm for Thunderbirds, Godzilla movies, and weekly gift of comic books, he rapidly exhausted the local library’s stock of juvenile SF, and resorted to raiding the adult shelves with his mother’s ticket.
Since his debut in British SF magazine Interzone, Stewart has has written short stories, novels, screenplays, comic scripts, reviews, criticism and RPG scenarios, both under his own name and the pseudonym Sandy Mitchell. As Sandy Mitchell, he’s best known for the popular Commissar Cain series of Warhammer 40,000 tie-ins, described by David Drake as “First rate military SF.” In the late Nineties, he was also a staff writer on the BBC prime-time technothriller series Bugs.
