Abe Sapien

· Abe Sapien 第 9 卷 · Dark Horse Comics
4.5
2条评价
电子书
144
对话放大镜
符合条件
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关于此电子书

Abe Sapien confronts South American vampires, a lake serpent, and a disembodied Lovecraftian tentacle, while uncovering the secrets of a 19th century necromancer who still walks the earth, and a frozen merman that may prove to be the missing link between himself and mankind.

These five stories trace the history and pre-history of Abe Sapien's adventures, from his earliest days in the Bureau with Hellboy (as drawn by Kevin Nowlan) through the frog war, featuring an appearance by deceased homunculus Roger, to his current evolved form, when he's looking back on his life as a man in 1850s England.

Featuring Powers co-creator Michael Avon Oeming and Santiago Caruso, whose artwork Puxtapoz Magazine called "both magnificent and macabre."

评分和评价

4.5
2条评价

作者简介

Mike Mignola's fascination with ghosts and monsters began at an early age; reading Dracula at age twelve introduced him to Victorian literature and folklore, from which he has never recovered. Starting in 1982 as a bad inker for Marvel Comics, he swiftly evolved into a not-so-bad artist. By the late 1980s, he had begun to develop his own unique graphic style, with mainstream projects like Cosmic Odyssey and Batman: Gotham by Gaslight. In 1994, he published the first Hellboy series through Dark Horse. There are thirteen Hellboy graphic novels (with more on the way), several spinoff titles (B.P.R.D., Lobster Johnson, Abe Sapien, and Sir Edward Grey: Witchfinder), prose books, animated films, and two live-action films starring Ron Perlman. Along the way he worked on Francis Ford Coppola's film Bram Stoker's Dracula (1992), was a production designer for Disney's Atlantis: The Lost Empire (2001), and was the visual consultant to director Guillermo del Toro on Blade II (2002), Hellboy (2004), and Hellboy II: The Golden Army (2008). Mike's books have earned numerous awards and are published in a great many countries. Mike lives in Southern California with his wife, daughter, and cat.

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