All Things Considered: Chesterton Top Collection

· Chesterton Top Collection Kniha 3 · 谷月社
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Podrobnosti o e‑knize

 THE CASE FOR THE EPHEMERAL
COCKNEYS AND THEIR JOKES
THE FALLACY OF SUCCESS
ON RUNNING AFTER ONE'S HAT
THE VOTE AND THE HOUSE
CONCEIT AND CARICATURE
PATRIOTISM AND SPORT.
AN ESSAY ON TWO CITIES.
FRENCH AND ENGLISH
THE ZOLA CONTROVERSY
OXFORD FROM WITHOUT
WOMAN
THE MODERN MARTYR
ON POLITICAL SECRECY
THOUGHTS AROUND KOEPENICK
THE BOY
ON THE CRYPTIC AND THE ELLIPTIC
THE WORSHIP OF THE WEALTHY
THE METHUSELAHITE
THE ERROR OF IMPARTIALITY
FAIRY TALES
TOM JONES AND MORALITY
THE MAID OF ORLEANS
A DEAD POET
CHRISTMAS

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O autorovi

 Gilbert Keith Chesterton, KC*SG (29 May 1874 – 14 June 1936) better known as G. K. Chesterton, was an English writer, lay theologian, poet, philosopher, dramatist, journalist, orator, literary and art critic, biographer, and Christian apologist. Chesterton is often referred to as the "prince of paradox." Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out."

Chesterton is well known for his fictional priest-detective Father Brown, and for his reasoned apologetics. Even some of those who disagree with him have recognized the wide appeal of such works as Orthodoxy and The Everlasting Man. Chesterton, as a political thinker, cast aspersions on both Progressivism and Conservatism, saying, "The whole modern world has divided itself into Conservatives and Progressives. The business of Progressives is to go on making mistakes. The business of the Conservatives is to prevent the mistakes from being corrected." Chesterton routinely referred to himself as an "orthodox" Christian, and came to identify this position more and more with Catholicism, eventually converting to Catholicism from High Church Anglicanism. George Bernard Shaw, Chesterton's "friendly enemy" according to Time, said of him, "He was a man of colossal genius." Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, Cardinal John Henry Newman, and John Ruskin.

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