American Noir Classics

· Open Road Media
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A collection of hardboiled crime fiction from the author of Double Indemnity, “one of the greats of American noir” (The Guardian).

They call him Lucky—but he’s never had a lucky day in his life. A nineteen-year-old hobo just starting to ride the rails, he is hiding in the coal car when the railroad detective comes through. They get into a scuffle, and Lucky’s hand finds a railroad spike. . . .

“Dead Man” is just one of the outstanding stories in this collection by the author renowned for insightful and exciting crime stories. Hailed as a “poet of the tabloid murder” by legendary critic Edmund Wilson and a Mystery Writers of America Grand Master, James M. Cain, understood fear in all its forms—and knew better than anyone the terror of a killer on the run. This volume includes:

“The Baby in the Icebox” • “Pay-Off Girl” • “Two o’Clock Blonde” • “The Birthday Party” * “Brush Fire” • “Coal Black” • “Career in C Major” • “Death on the Beach” • “Dead Man” • “The Girl in the Storm” • “Joy Ride to Glory” • “Pastorale” • “Mommy’s a Barfly” • “The Taking of Montfaucon” • “Cigarette Girl” • “The Robbery” • “Blackmail”

Perihal pengarang

James M. Cain (1892–1977) was one of the most important authors in the history of crime fiction. Born in Maryland, he became a journalist after giving up on a childhood dream of singing opera. After two decades writing for newspapers in Baltimore, New York, and the army—and a brief stint as the managing editor of the New Yorker—Cain moved to Hollywood in the early 1930s. While writing for the movies, he turned to fiction, penning the novella The Postman Always Rings Twice (1934). This tightly wound tale of passion, murder, and greed became one of the most controversial bestsellers of its day, and remains one of the foremost examples of American noir writing. It set the tone for Cain’s next few novels, including Serenade (1937), Mildred Pierce (1941), Double Indemnity (1943), and The Butterfly (1947). Several of his books became equally successful noir films, particularly the classic 1940s adaptations of Mildred Pierce and Double Indemnity. Cain moved back to Maryland in 1948. Though he wrote prolifically until his death, Cain remains most famous for his early work.

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