An Audience of Chairs
2010年2月 · Vintage Canada
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Joan Clark’s An Audience of Chairs opens with Moranna MacKenzie living alone in her ancestral Cape Breton farmhouse, waging a war with the symptoms of bipolar disorder and grieving the loss of her two daughters, taken from her over thirty years previously. There are few people remaining in her life, as Moranna cannot help but tax the patience of nearly everyone she encounters. Her long-suffering brother Murdoch has her best interests at heart, though he is fatigued by her enormous needs and pressured by his ambitious wife to invest less time in her. Pastor Andy politely sloughs off the peculiarly intelligent yet unpalatable sermons Moranna pens for him. Her neighbour Lottie knows what it is to be an eccentric and can be counted on to come through in a pinch. The local RCMP constabulary smooths over her legal scrapes. And her lover Bun, who lives with her when not working on the ferries between Cape Breton and Newfoundland, knows how to give her a wide berth on her “foul weather” days. Thanks to the assistance of these sometimes reluctant guardian angels, as well as to the carefully planned inheritance left by her father (not to mention her own sheer ingenuity), Moranna has managed to get by all these years despite small-town gossips and tormenting youths.
Through a series of flashbacks, we learn more about the devastating effects of Moranna’ s mental illness on her life and that of her family. But An Audience of Chairs also gives us a glimpse into the mind of a true iconoclast and wild spirit, who has managed despite overwhelming odds to keep hope alive.
Of An Audience of Chairs, Quill and Quire said: “Elegantly written and deeply grounded in place, this moving, compassionate novel is far more than a story of mental illness. Moranna’s quest is for peace, joy, and connection–the same yearnings that drive us all.”
Through a series of flashbacks, we learn more about the devastating effects of Moranna’ s mental illness on her life and that of her family. But An Audience of Chairs also gives us a glimpse into the mind of a true iconoclast and wild spirit, who has managed despite overwhelming odds to keep hope alive.
Of An Audience of Chairs, Quill and Quire said: “Elegantly written and deeply grounded in place, this moving, compassionate novel is far more than a story of mental illness. Moranna’s quest is for peace, joy, and connection–the same yearnings that drive us all.”
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5.0
1 則評論
關於作者
Joan Clark is the author of the novels Latitudes of Melt, The Victory of Geraldine Gull and Eiriksdottir, as well as two short story collections and several award-winning novels for young adults. Born and raised in Nova Scotia, she has lived in various places across Canada with her geotechnical engineer husband Jack. While living in Calgary she became a founding member of the Alberta Writers Guild and co-founded the acclaimed literary journal Dandelion. She now lives in St. John’s, Newfoundland.
Clark notes that the idea for An Audience of Chairs came in part from her own familial legacy of depression, with which she struggled at one time and which led a grandmother to suicide. “One of the things I was interested in was exploring the idea of family pride, which was abundant in my family. So much pride, in fact, that many of them refused to admit that their grandmother had committed suicide.” Clark made two false starts at writing this novel, the first time 30 years ago. “When I picked up the novel for the third time four years ago, I was surprised that I was able to indulge my sense of humour, to let go and have fun. Once the humour kicked in, I was off and running.”
Clark wrote her first published novel as a young stay-at-home mother, writing in longhand during her infant son’s naptimes. “I had never written fiction before and was amazed that I had been walking around without knowing that there was a story inside my head. That joy of discovery has kept me writing ever since.”
Clark notes that the idea for An Audience of Chairs came in part from her own familial legacy of depression, with which she struggled at one time and which led a grandmother to suicide. “One of the things I was interested in was exploring the idea of family pride, which was abundant in my family. So much pride, in fact, that many of them refused to admit that their grandmother had committed suicide.” Clark made two false starts at writing this novel, the first time 30 years ago. “When I picked up the novel for the third time four years ago, I was surprised that I was able to indulge my sense of humour, to let go and have fun. Once the humour kicked in, I was off and running.”
Clark wrote her first published novel as a young stay-at-home mother, writing in longhand during her infant son’s naptimes. “I had never written fiction before and was amazed that I had been walking around without knowing that there was a story inside my head. That joy of discovery has kept me writing ever since.”
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