Ingardeniana III: Roman Ingarden’s Aesthetics in a New Key and the Independent Approaches of Others: The Performing Arts, the Fine Arts, and Literature

· Analecta Husserliana Book 33 · Springer Science & Business Media
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In the footsteps of Ingardeniana II, this volume marks the 20th anniver sary of Roman Ingarden's death, partly focusing upon his thought, partly bringing his aesthetics into the present-day framework of research. It might have appeared puzzling to the followers of our Analecta Husserliana why within the original horizon encircled by the research work of our International Society of Phenomenology and Literatur- whose research work is devised in a diametrically opposed direction to that of Roman Ingarden - there is steadfastly running through our discussions a line of Ingardenian reflection. The reason, as I have pointed out in the introduction to Ingardeniana II, expertly edited by Hans Rudnik, is clear: Ingarden's analysis of the intentional structures of works of art offers in its distinct and clear-cut forms an 'objective' correlate - as well as a point of reference - to the vast conundrum of issues concerning the creative endeavor of the writer, poet, artist in their struggle to endow life with its specifically human significance; a conundrum that in our research we are trying to disentangl- elucidating its mysterious ramifications, their sources and dynamic virtualities. As a matter of fact, Ingarden's thought, newly interpreted and originally expanded, occupies a legitimate place in the present collec tion. We find here, in the first place, an original expansion of Ingarden's aesthetic theory in the monograph of ladwiga Smith followed by the essays of Wadaw Osadnik, Yushiro Takei and Charles Rzepka.

About the author

Anna-Teresa Tymieniecka was born in Marianowo, Poland on February 28, 1923. She studied at the University of Krakow, the Sorbonne, and the University of Fribourg, Switzerland, where she received a Ph.D. in philosophy. She was the founder and president the World Institute for Advanced Phenomenological Research and Learning. She was the author of 14 books and the editor of Analecta Husserliana: The Yearbook of Phenomenological Research and Phenomenological Inquiry: A Review of Philosophical Ideas and Trends. She died on June 7, 2014 at the age of 91.

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