Anne: A Novel

Name: Anne: A Novel
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Constance Fenimore Woolson

1960年1月 · Library of Alexandria

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Anne, standing straight again, surveyed the garland in silence. Then she changed its position once or twice, studying the effect. Her figure, poised on the round of the ladder, high in the air, was, although unsupported, firm. With her arms raised above her head in a position which few women could have endured for more than a moment, she appeared as unconcerned, and strong, and sure of her footing, as though she had been standing on the floor. There was vigor about her and elasticity, combined unexpectedly with the soft curves and dimples of a child. Viewed from the floor, this was a young Diana, or a Greek maiden, as we imagine Greek maidens to have been. The rounded arms, visible through the close sleeves of the dark woollen dress, the finely moulded wrists below the heavy wreath, the lithe, natural waist, all belonged to a young goddess. But when Anne Douglas came down from her height, and turned toward you, the idea vanished. Here was no goddess, no Greek; only an American girl, with a skin like a peach. Anne Douglas's eyes were violet-blue, wide open, and frank. She had not yet learned that there was any reason why she should not look at everything with the calm directness of childhood. Equally like a child was the unconsciousness of her mouth, but the full lips were exquisitely curved. Her brown hair was braided in a heavy knot at the back of her head; but little rings and roughened curly ends stood up round her forehead and on her temples, as though defying restraint. This unwritten face, with itsdirect gaze, so far neutralized the effect of the Diana-like form that the girl missed beauty on both sides. The usual ideal of pretty, slender, unformed maidenhood was not realized, and yet Anne Douglas's face was more like what is called a baby face than that of any other girl on the island. The adjective generally applied to her was "big." This big, soft-cheeked girl now stood irresolutely looking at the condemned wreath. The sun was setting, and poured a flood of clear yellow light through the little west windows; the man at the organ was playing a sober, steadfast German choral, without exultation, yet full of a resolute purpose which defied even death and the grave. Out through the eastern windows stretched the frozen straits, the snow-covered islands, and below rang out the bugle. "It will be dark in a few moments," said Anne to herself; "I will do it." She moved the ladder across to the chancel, mounted to its top again, and placed the wreath directly over the altar, connecting it deftly with the numerous long lines of delicate wreathing woven in thread-like green lace-work which hung there, waiting for their key-stone—a place of honor which the condemned wreath was to fill. It now crowned the whole. The little house of God was but an upper chamber, roughly finished and barren; its only treasure was a small organ, a gift from a father whose daughter, a stranger from the South, had died upon the island, requesting that her memorial might be music rather than a cold stone. William Douglas had superintended the unpacking and placing of this gift, and loved it almost as though it had been his own child. Indeed, it was a child, a musical child—one who comprehended his varying moods when no one else did, not even Anne.