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I.
I was then five-and-twenty,—that was a sufficient indication that I had a past, said he, beginning. My own master for some little time, I resolved to travel,—not to complete my education, as they said at the time, but to see the world. I was young, light-hearted, in good health, free from every care, with a well-filled purse; I gave no thought to the future; I indulged every whim,—in fact, I lived like a flower that expands in the sun. The idea that man is but a plant, and that its flower can only live a short time, had not yet occurred to me. "Youth," says a Russian proverb, "lives upon gilded gingerbread, which it ingenuously takes for bread; then one day even bread fails." But of what use are these digressions?
I travelled from place to place, with no definite plan, stopping where it suited me, moving at once when I felt the need of seeing new faces,—nothing more.
The men alone interested me; I abhorred remarkable monuments, celebrated collections, and ciceroni; the Galerie Verte of Dresden almost drove me mad. As to nature, it gave me some very keen impressions, but I did not care the least in the world for what is commonly called its beauties,—mountains, rocks, waterfalls, which strike me with astonishment; I did not care to have nature impose itself upon my admiration or trouble my mind. In return, I could not live without my fellow-creatures; their talk, their laughter, their movements, were for me objects of prime necessity. I felt superlatively well in the midst of a crowd; I followed gayly the surging of men, shouting when they shouted, and observing them attentively whilst they abandoned themselves to enthusiasm. Yes, the study of men was, indeed, my delight; and yet is study the word? I contemplated them, enjoying it with an intense curiosity.
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About Ivan Sergeyevich Turgenev
Ivan Sergeyevich Turgenev (November 9, 1818 – September 3, 1883) was a Russian novelist, short story writer, and playwright. His first major publication, a short story collection entitled A Sportsman's Sketches (1852), was a milestone of Russian Realism, and his novel Fathers and Sons (1862) is regarded as one of the major works of 19th-century fiction.
Turgenev's artistic purity made him a favorite of like-minded novelists of the next generation, such as Henry James and Joseph Conrad, both of whom greatly preferred Turgenev to Tolstoy and Dostoyevsky. James, who wrote no fewer than five critical essays on Turgenev's work, claimed that "his merit of form is of the first order" (1873) and praised his "exquisite delicacy", which "makes too many of his rivals appear to hold us, in comparison, by violent means, and introduce us, in comparison, to vulgar things" (1896). Vladimir Nabokov, notorious for his casual dismissal of many great writers, praised Turgenev's "plastic musical flowing prose", but criticized his "labored epilogues" and "banal handling of plots". Nabokov stated that Turgenev "is not a great writer, though a pleasant one", and ranked him fourth among nineteenth-century Russian prose writers, behind Tolstoy, Gogol, and Anton Chekhov, but ahead of Dostoyevsky. His idealistic ideas about love, specifically the devotion a wife should show her husband, were cynically referred to by characters in Chekhov's "An Anonymous Story".
Turgenev wrote on themes similar to those found in the works of Tolstoy and Dostoyevsky, but he did not approve of the religious and moral preoccupations that his two great contemporaries brought to their artistic creation. Turgenev was closer in temperament to his friends Gustave Flaubert and Theodor Storm, the North German poet and master of the novella form, who also often dwelt on memories of the past and evoked the beauty of nature.
Ivan Sergeyevich Turgenev (November 9, 1818 – September 3, 1883) was a Russian novelist, short story writer, and playwright. His first major publication, a short story collection entitled A Sportsman's Sketches (1852), was a milestone of Russian Realism, and his novel Fathers and Sons (1862) is regarded as one of the major works of 19th-century fiction.
Turgenev's artistic purity made him a favorite of like-minded novelists of the next generation, such as Henry James and Joseph Conrad, both of whom greatly preferred Turgenev to Tolstoy and Dostoyevsky. James, who wrote no fewer than five critical essays on Turgenev's work, claimed that "his merit of form is of the first order" (1873) and praised his "exquisite delicacy", which "makes too many of his rivals appear to hold us, in comparison, by violent means, and introduce us, in comparison, to vulgar things" (1896). Vladimir Nabokov, notorious for his casual dismissal of many great writers, praised Turgenev's "plastic musical flowing prose", but criticized his "labored epilogues" and "banal handling of plots". Nabokov stated that Turgenev "is not a great writer, though a pleasant one", and ranked him fourth among nineteenth-century Russian prose writers, behind Tolstoy, Gogol, and Anton Chekhov, but ahead of Dostoyevsky. His idealistic ideas about love, specifically the devotion a wife should show her husband, were cynically referred to by characters in Chekhov's "An Anonymous Story".
Turgenev wrote on themes similar to those found in the works of Tolstoy and Dostoyevsky, but he did not approve of the religious and moral preoccupations that his two great contemporaries brought to their artistic creation. Turgenev was closer in temperament to his friends Gustave Flaubert and Theodor Storm, the North German poet and master of the novella form, who also often dwelt on memories of the past and evoked the beauty of nature.
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