Lotta Schmidt and Other Stories

The work, however, is going on, and if the war which has come and passed has not swallowed everything appertaining to Austria into its maw, the ugly remnants of destruction will be soon carted away, and the old glacis will be made bright with broad pavements, and gilded railings, and well-built lofty mansions, and gardens beautiful with shrubs, and beautiful with turf also, if Austrian patience can make turf to grow beneath an Austrian sky.

On an evening of September, when there was still something left of daylight, at eight o’clock, two girls were walking together in the Burgplatz, or large open space which lies between the city palace of the emperor and the gate which passes thence from the old town out to the new town. Here at present stand two bronze equestrian statues, one of the Archduke Charles, and the other of Prince Eugene. And they were standing there also, both of them, when these two girls were walking round them; but that of the prince had not as yet been uncovered for the public.

There was coming a great gala day in the city, Emperors and empresses, archdukes and grand-dukes, with their archduchesses and grand-duchesses, and princes and ministers, were to be there, and the new statue of Prince Eugene was to be submitted to the art-critics of the world. There was very much thought at Vienna of the statue in those days. Well; since that, the statue has been submitted to the art-critics, and henceforward it will be thought of as little as any other huge bronze figure of a prince on horseback. A very ponderous prince is poised in an impossible position, on an enormous dray horse. But yet the thing is grand, and Vienna is so far a finer city in that it possesses the new equestrian statue of Prince Eugene.