The fact would not have troubled her if she had known. In life she had been a nonentity; in death she was not less. At least she could now mix with her betters without reproach, free (in the all-enveloping silence) from the fear of betraying her humble origin. Debrett’s Peerage was unimportant in the grave; breaches of social etiquette passed unnoticed there; the wagging of malicious tongues was stopped by dust.
Her husband lingered at the grave-side after the others had departed. As he stood staring into the open grave, regardless of a lurking grave-digger waiting to fill it, he looked like a man whose part in the drama of life was Care. There was no hint of happiness in his long narrow face, dull sunken eyes, and bloodless compressed lips. His expression was not that of one unable to tear himself away from the last glimpse of a loved wife fallen from his arms into the clutch of Death. It was the gaze of one immersed in anxious thought.
The mourners, who had just left the churchyard, awaited him by a rude stone cross near the entrance to the church. There were six—four men, a woman, and a girl. In the road close by stood the motor-car which had brought them to the churchyard in the wake of the hearse, glistening incongruously in the grey Cornish setting of moorland and sea....
Arthur John Rees (1872–1942), was an Australian mystery writer.
Born in Melbourne, he was for a short time on the staff of the Melbourne Age and later joined the staff of the New Zealand Herald.
In his early twenties he likely went to England.
His proficiency as a writer of crime-mystery stories is attested by Dorothy Sayers in the introduction to Great Short Stories of Detection, Mystery and Horror, 1928. Two of his stories were included in an American world-anthology of detective stories. Some of his works were translated into French and German.