It is not my purpose, nor would it be possible within the limits of a prefatory note, to attempt an account of Schopenhauer's philosophy, to indicate its sources, or to suggest or rebut the objections which may be taken to it. M. Ribot, in his excellent little book, [Footnote: La Philosophie de Schopenhauer, par Th. Ribot.] has done all that is necessary in this direction. But the essays here presented need a word of explanation. It should be observed, and Schopenhauer himself is at pains to point out, that his system is like a citadel with a hundred gates: at whatever point you take it up, wherever you make your entrance, you are on the road to the center. In this respect his writings resemble a series of essays composed in support of a single thesis; a circumstance which led him to insist, more emphatically even than most philosophers, that for a proper understanding of his system it was necessary to read every line he had written. Perhaps it would be more correct to describe Die Welt als Wille und Vorstellungas his main thesis, and his other treatises as merely corollary to it. The essays in this volume form part of the corollary; they are taken from a collection published towards the close of Schopenhauer's life, and by him entitled Parerga und Paralipomena, as being in the nature of surplusage and illustrative of his main position. They are by far the most popular of his works, and since their first publication in 1851, they have done much to build up his fame. Written so as to be intelligible enough in themselves, the tendency of many of them is towards the fundamental idea on which his system is based. It may therefore be convenient to summarize that idea in a couple of sentences; more especially as Schopenhauer sometimes writes as if his advice had been followed and his readers were acquainted with the whole of his work.
Arthur Schopenhauer (22 February 1788 – 21 September 1860) was a German philosopher. He is best known for his 1818 work The World as Will and Representation, in which he characterizes the phenomenal world, and consequently all human action, as the product of a blind, insatiable, and malignant metaphysical will.
Proceeding from the transcendental idealism of Immanuel Kant, Schopenhauer rejected the contemporaneous post-Kantian philosophies of German idealism. Instead, he developed an atheistic metaphysical and ethical system that has been described as an exemplary manifestation of philosophical pessimism. Schopenhauer was among the first thinkers in Western philosophy to share and affirm significant tenets of Eastern philosophy (e.g., asceticism, the world-as-appearance), having initially arrived at similar conclusions as the result of his own philosophical work. His writing on aesthetics, morality, and psychology would exert important influence on thinkers and artists throughout the 19th and 20th centuries.