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THE CALL FROM WITHOUT
Colonel Fanshawe was riding slowly back to his bungalow about an hour before the sunset of a hot and brilliant day in the middle of March. He had spent a long day in the saddle, for the Commander-in-Chief of the Indian Forces was at Peshawar on a visit of inspection, and he had reviewed and inspected and inspected and reviewed and given medals and colours and compliments and criticism till the whole garrison, who had been under arms on the parade ground since an early hour that morning, was ready to drop with a well-earned fatigue. That evening there was to be a great dinner-party followed by a dance at the house of the Resident. To-morrow the Commander-in-Chief was to go up the Khyber pass, returning just in time to catch the night train to Lahore, arriving there at daybreak, and prepared to spend another day similar to this. And yet, so reflected Colonel Fanshawe, he was made, to all appearance, of flesh and blood, exactly like anybody else: indeed, he was endowed with flesh to a somewhat phenomenal extent; for, though not of unusual height, he swung a full eighteen stone into his saddle, ate and drank in perfectly amazing quantities, and, without doubt, would to-night prance genially and colossally from beginning to end of every dance with a succession of the prettiest girls in Peshawar. It was equally certain that at the conclusion he would go in person to the bandmaster and beg as a personal favour for an extra or two....
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Edward Frederic Benson (24 July 1867 – 29 February 1940) was an English novelist, biographer, memoirist, archaeologist and short story writer, known professionally as E. F. Benson. His friends called him Fred.
Benson's first book was Sketches from Marlborough. He started his novel writing career with the (then) fashionably controversial Dodo (1893), which was an instant success, and followed it with a variety of satire and romantic and supernatural melodrama. He repeated the success of Dodo, which featured a portrait of composer and militant suffragette Ethel Smyth (which she "gleefully acknowledged", according to actress Prunella Scales), with the same cast of characters a generation later: Dodo the Second (1914), "a unique chronicle of the pre-1914 Bright Young Things" and Dodo Wonders (1921), "a first-hand social history of the Great War in Mayfair and the Shires". The Mapp and Lucia series, written relatively late in his career, consists of six novels and two short stories. The novels are: Queen Lucia, Lucia in London, Miss Mapp (including the short story "The Male Impersonator"), Mapp and Lucia, Lucia's Progress (published as The Worshipful Lucia in the United States) and Trouble for Lucia. The short stories are "The Male Impersonator" and "Desirable Residences". Both appear in anthologies of Benson's short stories, and the former is also often appended to the end of the novel Miss Mapp.
Benson was also known as a writer of atmospheric, oblique, and at times humorous or satirical ghost stories, which were often first published in story magazines such as Pearson's Magazine or Hutchinson's Magazine, 20 of which were illustrated by Edmund Blampied. These "spook stories", as they were also called, were then reprinted in collections by his principal publisher, Walter Hutchinson. His 1906 short story, "The Bus-Conductor", a fatal-crash premonition tale about a person haunted by a hearse driver, has been adapted several times, notably in 1944 (in the film Dead of Night and as an anecdote in Bennett Cerf's Ghost Stories anthology published the same year) and in a 1961 episode of The Twilight Zone. The catchphrase from the story, "Room for one more", even spawned an urban legend, and also appears in the 1986 Oingo Boingo song, "Dead Man's Party".
Benson's David Blaize and the Blue Door (1918) is a children's fantasy influenced by the work of Lewis Carroll. "Mr Tilly's Seance" is a witty and amusing story about a man flattened by a traction-engine who finds himself dead and conscious on the 'other side'. Other notable stories are the eerie "The Room in the Tower" and "Pirates".
Benson is also known for a series of biographies/autobiographies and memoirs, including one of Charlotte Brontë. His last book, delivered to his publisher ten days before his death, was an autobiography entitled Final Edition.
H. P. Lovecraft spoke highly of Benson's works in his "Supernatural Horror in Literature", most notably of his story "The Man Who Went Too Far".
Further "Mapp and Lucia" books have been written by Tom Holt, Guy Fraser-Sampson, and Ian Shepherd.
